The final examination batch of OAD installments pull from the Lost Girls light novels, which expand upon Annie Leonhart and Mikasa Ackerman during all-important periods of passage. Annie takes center stage in these “ Lost Girls ” entries with a bipartite floor, “ Wall Sina, Goodbye ” that examines what she was up to before she infiltrates the Survey Corps to kidnap Eren. Annie is one of Attack on Titan’s most fascinate characters, but one has routinely been underserviced due to the secrets that fill her past. These two episodes are extremely satisfying for Annie fans since they actually do give her character proper motivation, angstrom well as flesh out Paradis Island in a compelling manner .
Annie has been shown to be incredibly capable in the past, but “ Wall Sina, Goodbye ” helps develop some of her early skills rather than strictly showing off her colossus talents. All of this benefits from a floor that feels a lot more like a political thriller with movie noir elements than the standard Attack on Titan carry through. It ’ sulfur proof that Attack on Titan’s rich earth can foster stories of many different natures and that the series ’ expanding setting has besides allowed it to get more structurally and stylistically ambitious.
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“ The Sudden Visitor ” is bound to be a controversial OAD installment due to the tonic leap that it takes, but “ Lost in the Cruel World ” is probable to be even more polarize. While the bipartite “ Wall Sina ” episodes from “ Lost Girls ” provide crucial backstory on Annie Leonhart, “ Lost in the Cruel World ” is a nebulous story of lost purity that ’ second set in an alternate reality ( which the cabalistic episode number of “ ? ? ? ” confirms ). Mikasa experiences a flit vision of an alternate version of her life, where her parents were never killed, and she grows up with slightly different versions of Eren and Armin. It ’ randomness charming to watch these younger versions of the characters interact before death and burden remove over their lives, but it ’ s besides easy to dismiss “ Lost in the Cruel World ” as “ filler ” since none of it actually happens .
While this is on-key, “ Lost in the Cruel World ” may actually be the most important OAD of the set due to what it implies about parallel realities. Mikasa ’ mho vision is explained to not be a dream, delusion, or delusion, and it flush implies that her soul might have floated away into an alternate adaptation of herself. There have been gradual references to alternate universes throughout Attack on Titan, right to the series beginning with Eren waking up from a dream and an admission that all of this feels familiar. These have only grown more prevailing during Attack on Titan’s final season and the presentation of the PATHS arrangement that exists for Titans. It ’ sulfur highly improbable that the concluding temper will return to this alternate worldly concern that Mikasa witnesses here, but it ’ s a stylistic way to reinforce the series ’ themes on fortune and fortune .
Attack on Titan’s eight OAD entries are surely a nostalgic burst of the show ’ sulfur origins and basic ideas. The dated nature of these stories and how none of them are necessarily fundamental to understanding Attack on Titan’s core narrative does make it easy to skip this capacity, but it remains impressive how these side stories and detours can connect in newfangled ways after everything that ’ s gone down in the series. The second-half of Attack on Titan’s concluding season will feature destruction on a greater level than ever before and it doesn ’ thymine hurt to return to the series ’ roots and where it all began before the War for Paradis consumes everything in its path .