Batman Rebirth #1 Review – IGN

The new take on Calendar Man is part of a larger stylistic shift with the new series. While it’s impossible to say with certainty which parts of this issue are Snyder’s and which are King’s, on the whole it feels very much the product of the latter’s distinctive voice. King brings a very surreal, spooky quality to Batman’s world, one that should instantly appeal to fans of Grant Morrison’s Batman run. But (and perhaps this is Snyder shining through), there’s also a strong emphasis on Batman’s close connection to Duke and the general idea of Bruce Wayne being a healthier, happier person since his return to “life.”

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Janin’s art style very much goes hand in hand with King’s approach to the franchise. Janin and King already have a great track record together thanks to their Grayson run, and that experience immediately pays off in this very different corner of the Batman universe. Janin’s style takes on a heavier weight and texture (aided by colorist June Chung), which helps his pages avoid the stiff, lifeless quality of last week’s Superman #52. Janin and Chung are adept at conveying the passage of time and the changing of the seasons over the course of this story. Janin’s page construction is also frequently a highlight, with some inventive panel arrangement even recalling J.H. Williams’ work on Batwoman.

The one area this issue could have succeeded a bit more with is in illustrating the differences between Duke and the other Robins that have cycled through the Batcave. The dialogue is quick to establish that Duke isn’t another Robin and that Batman is trying something different with his latest sidekick, yet this issue never makes it apparent how Duke is different. Nor does it offer any hint as to what separates Duke from the various teen sidekicks in James Tynion’s upcoming Detective Comics run. That’s something both series will have to address in the weeks to come. Of all of DC ‘s major franchises, the Batman comics have changed the least in the transition from the old DC Universe to the New 52 and now into DC Rebirth. If it ai n’t broke, why fix it ? That seems to be the philosophy as Tom King takes the reins of DC ‘s flagship Batman comedian. But evening if Batman Rebirth # 1 reads like a natural progression of Scott Snyder and Greg Capullo ‘s five-year footrace on the former book, it besides has a new and stimulate flavor that comes courtesy of Tom King. If this comedian proves anything, it ‘s that King and Mikel Janin were the correct choice to follow up such an applaud creative team.The new fill on Calendar Man is separate of a larger stylistic shift key with the new series. While it ‘s impossible to say with certainty which parts of this return are Snyder ‘s and which are King ‘s, on the whole it feels identical much the product of the latter ‘s classifiable voice. King brings a identical phantasmagoric, skittish quality to Batman ‘s worldly concern, one that should instantaneously appeal to fans of Grant Morrison ‘s Batman run. But ( and possibly this is Snyder shining through ), there ‘s besides a hard emphasis on Batman ‘s conclusion connection to Duke and the cosmopolitan estimate of Bruce Wayne being a goodly, happier person since his return to “ biography. “ Janin ‘s art stylus very much goes hand in hand with King ‘s approach to the franchise. Janin and King already have a big track criminal record in concert thanks to their Grayson campaign, and that experience immediately pays off in this very different corner of the Batman universe. Janin ‘s style takes on a heavier weight and texture ( aided by colorist June Chung ), which helps his pages avoid the cadaver, lifeless quality of last week ‘s Superman # 52. Janin and Chung are adept at conveying the enactment of time and the change of the seasons over the course of this history. Janin ‘s page construction is besides frequently a highlight, with some imaginative empanel musical arrangement even recalling J.H. Williams ‘ employment on Batwoman.The one area this exit could have succeeded a bit more with is in illustrating the differences between Duke and the early Robins that have cycled through the Batcave. The dialogue is promptly to establish that Duke is n’t another Robin and that Batman is trying something different with his latest buddy, yet this issue never makes it apparent how Duke is different. Nor does it offer any hint as to what separates Duke from the versatile adolescent sidekicks in James Tynion ‘s approaching Detective Comics run. That ‘s something both series will have to address in the weeks to come.

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