Batman vs. Deathstroke

Batman: –Until I have a complete understanding of this potential threat–Deathstroke is closed. I will shut down every mission–block every assignment–until I am satisfied.
Deathstroke: Don’t start this. Neither of us can know where it will end.

Batman vs. Deathstroke pits two of the DCU ‘s most brilliant tacticians, the Dark Knight and Slade Wilson, against each other, with mix results. I have n’t had as many thoughts about a book in a long time as I have about this one ; a pros and cons list master of arts

Batman: –Until I have a complete understanding of this potential threat–Deathstroke is closed. I will shut down every mission–block every assignment–until I am satisfied.
Deathstroke: Don’t start this. Neither of us can know where it will end.

Batman vs. Deathstroke pits two of the DCU ‘s most bright tacticians, the Dark Knight and Slade Wilson, against each early, with assorted results. I have n’t had as many thoughts about a koran in a long time as I have about this one ; a pros and cons list may help illustrate my experience with this versus struggle :

PROS:

1. There are a decent measure of crusade scenes between Batman and Deathstroke, and some of them are reasonably thoroughly.

2. The artwork is identical well done. The writer Christopher Priest says in the Afterword, when thanking penciller Carlo Pagulayan for his contributions, that about every page is “ desirable of framing ”, and I agree completely.

3. The distinct aspects of the personalities of Batman and Deathstroke are brought to life enormously in this book, as are the similarities in their personalities.

CONS:

1. In the Afterword, writer Christopher Priest says he had to “ put them on a collision course in a manner that would n’t seem banal and contrived. ” I think he failed in this regard, because although not banal, the way they are put on a collision course definitely feels contrived.

2. The story is unnecessarily convoluted. Somehow Alfred, Batman/Bruce Wayne ‘s beloved butler, is involved in his own sub-plot with Deathstroke ‘s associate William Randolph Wintergreen that involves Batman and Deathstroke. This makes absolutely no sense. Alfred loves Bruce like a son. Why would he be involved in contriving something that could potentially kill him ? even more torment, near the goal of the record Alfred tries to explain his participation to Bruce … and then Bruce shrugs him off and the book ends ! unaccented ! away from this, there are two female characters in the script that may or may not be involved in their own distinguish plots to have the two square off, numerous Robins from Batman ‘s past and award are involved in the history, Nightshade ( who I ‘ve never encountered before ) is depart of the narrative, etc. There ‘s merely way excessively much going on.

3. You need to have read the Deathstroke comics and Batman comics to understand everything that is going on : I ‘ve read a decent measure of Batman comics, but as I mentioned before there are multiple generations of Robins in this bible and the matchless who is presently Robin I ‘ve never tied heard of ahead. There are besides a count of events alluded to throughout this book where the editor program says things like “ See Deathstroke # 4 ” in the margins. This book is sold as a hardback that looks very standalone, but it is n’t and relies on you knowing things from books you may not ( as in my case ) posse.

4. The writer used acronym that the editor program would then need to explain in separate text areas. hera is a real exercise from the book to explain an acronym N.O.C. used in the negotiation : *Non-official cover intelligence operatives. –Alex. That seemed truly out of locate to me, and is n’t something I ‘ve seen in comics before ; I thought it was a act tacky.

5. Batman and Deathstroke have hanker, detail conversations when they ‘re fighting. alternatively of text boxes outlining what ‘s happening during a fight, Deathstroke speaks it as dialogue. here is a real exemplar from when they were fighting ( Deathstroke is speaking ) : My titanium staff’s energy only charges your super-mittens–which, from their wallop, I presume you designed to fight Superman. Things like this are being spoken when they are literally punching each other, shooting at each other with weapons, grappling with each early, etc. Unrealistic, bizarre, and a morsel absurd, given how many times it happens throughout the book.

6. The book seems like it could have used more edit. For a amusing record, there were a set of misspelled/duplicate/out-of-place words. besides, at one clock it shifts panels and Batman is saying something like “ Envy you ? Envy you ? ! ”. No one had said, anywhere in the sequence that came before, that he envies anyone … I ‘m not certain if a panel was missed or what happened there, but it made no sense.

Overall, this book was a bit of a disappointment. The art is phenomenal, and Batman and Deathstroke are well represented, but that ca n’t cover up a contrived, convoluted report where the premise is repeated throughout the book ad nauseam. seriously, why do writers always make versus battles then needlessly labyrinthine ? This is n’t intemperate. Deathstroke is an assassin. Have him kill person Bruce Wayne cares about as separate of one of his contracts. That ‘s a far more natural and effective manner to pit them against each other. I wo n’t spoil anything but you ‘ll see what I mean if you read the book. It simply did n’t need to be this complicated.

I commend Christopher Priest and company for trying to deliver a great versus conflict between these two legendary foes, but this was a piece of a miss for me. Recommended for die-hard Batman and Deathstroke fans only ; there is n’t much of value here for anyone else.

…more

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