Batman: White Knight

The Joker takes some charming pills and is no longer “ crazy ”. In his newly sober state, he decides to help Gotham by ridding it of its greatest lay waste to : batman !

Oh boy, White Knight is all kinds of hot garbage ! I knew Sean Murphy wasn ’ t a good writer after reading his absurd reserve Punk Rock Jesus but I thought he might ’ ve improved after five years – nuh uh ! If anything he ’ randomness get worse.

The only way Murphy can make his faint report solve is by writing everyone out of character. So Batman is sudde

Oh boy, White Knight is all kinds of hot garbage! I knew Sean Murphy wasn’t a good writer after reading his laughable book Punk Rock Jesus but I thought he might’ve improved after five years – nuh uh! If anything he’s gotten worse.

The only way Murphy can make his feeble story work is by writing everyone out of character. So Batman is suddenly brain-dead, idiotically playing into Joker’s obvious ploys like an unbelievable moron. He literally drives the Batmobile over residential tiled rooftops, giving Joker the reason he needs to show people Batman’s recklessness. Batman – on camera – chokes Joker half to death before emptying a bottle of pills down his throat and forcing him to swallow. He also choke-holds him – again on camera – later on, while, as Bruce Wayne, he knocks out a businessman in the middle of a party.

Dick Grayson and Jason Todd suddenly hate Bruce and have always hated Bruce while Gordon is ready to throw away years of friendship, cooperation and arrests the instant the Joker needs him to – it’s too much. There’s suspension of disbelief and there’s this.

And then the biggest flaw: Joker himself. He’s calling himself Jack Napier here, as in Jack Nicholson’s character from Batman ’89, who was insane until he was suddenly cured with pills. This is just a personal preference but I’ve never liked the “Joker is crazy” perspective which is far too shallow and dull an explanation. I much prefer Heath Ledger’s Joker, a cool, calculating sociopath – certainly unhinged mentally – but smart, thoughtful, articulate, and deadly serious about, and more than capable of achieving, his goals. Not some gibbering lunatic randomly doing whatever, whenever, whyever.

Apparently Joker being crazy was the only thing holding back the people of Gotham from embracing him. Quick as you like they’re able to forgive the years and years of murders, explosions, poisonings, and everything else the Joker’s done!

(view spoiler) [ Joker gets elected to function about immediately, the poor people people of Backport, a poor zone of Gotham, supporting him because a black fellow who inexplicably likes the Joker tells them to. It ’ s so patronising. He ’ s immediately able to divert $ 3billion in funds – the money it takes to clean up the city after this Batman ’ s absurd antics obviously – towards the Gotham Terrorist Oppression unit, which Nightwing and Gordon immediately sign up for because they fair happen to hate Batman now. Joker ’ s able to beat up Batman in a fist battle after sparring with Harley, who ’ mho rewritten as the best fight champion in Gotham. Oh and Joker survives a high-speed head-on collision AND an explosion without a scrape. ( obscure spoiler )

I mention all those spoilers to point out how contrived, lazy and stupid Sean Murphy’s writing and plotting is. Everything is far too damned convenient and that’s why I didn’t buy any of it, even as an Elseworlds tale (which is the only thing this book could be). Don’t get me wrong, I’m all for Elseworlds and different takes on characters – so long as they’re done well, ie. the story makes sense within its own logic, it’s fun and/or thoughtful, or says something new about the characters; except White Knight is anything but. Joker’s “sane” motivations for everything don’t make a lick of sense. He wants to show Gotham that they don’t need Batman, using the tired “costumed crazies weren’t there until he showed up” argument, because there’d be no crime without him – and has to break the law numerous times to show that?? And what does he think anyway – that with Batman locked up all of Gotham’s performance artist villains would just slink away?

Joker’s origin here is largely the Killing Joke’s which is another problem with this book: everything is lifted from somewhere else. It’s such an unoriginal comic. The origin is Alan Moore’s Killing Joke, Jack Napier is from Batman ’89, Joker believing he’s Batman’s best friend is from Scott Snyder’s Death of the Family, the brutal Batman here is taken from Frank Miller’s Batman books, the Joker/Harley relationship is from Batman: The Animated Series, and the visuals are taken from the full spectrum of Batman books, movies and TV shows over the last 75+ years. The one arguably “new” addition Murphy brings is a crappy slant on Harley:

Even though I don’t believe it exists, given that Murphy was going for the “Joker is crazy” angle, I’d hoped for a book examining the Jekyll/Hyde duality to Joker – maybe Murphy’s Jack Napier/Joker could be a fascinating, complex relationship like Smeagol/Gollum or Jack/Tyler Durden. Or maybe a story like this could work if the plot points didn’t hinge so much on convenience – the Clayface/Hatter mind control was ridiculous, as was Freeze’s big gun. But if you can’t make it work without having to be stupid about it – because Batman and Joker are too defined at this point – then maybe don’t write it. Maybe write a different story with different characters to avoid this many blunders.

Ultimately though it comes down to Murphy’s lack of ability as a writer. If you rely this much on contrivance, you’re a hack. The book is way too long at eight issues (that Freeze subplot was so pointless and tying in the Nazis was distasteful and unnecessary), the pages are packed full of too much bad writing and exposition, none of it interesting to read and most of it nonsensical anyway; it is an absolute bore to slog through. I’d forgive a lot if the story was entertaining or if all of this useless table-setting went anywhere unique or clever; but no, it’s another predictable load of uninsightful, unmemorable nothing.

Murphy’s a fine artist – many pages looked awesome, particularly the numerous Batmobiles – but he’s a terribly inept writer. Batman: White Knight is a derivative, sloppy, tediously drawn-out mess and joins the embarrassing likes of Going Sane, Lovers and Madmen, and The Joker’s Last Laugh as among the worst Batman/Joker books ever. The Joker takes some magic trick pills and is no longer “ crazy ”. In his newly sober state, he decides to help Gotham by ridding it of its greatest scourge : batman ! Oh boy, White Knight is all kinds of hot drivel ! I knew Sean Murphy wasn ’ t a good writer after reading his amusing reserve Punk Rock Jesus but I thought he might ’ ve improved after five years – nuh uh ! If anything he ’ sulfur gotten worse.The merely way Murphy can make his feeble narrative bring is by writing everyone out of character. So Batman is abruptly brain-dead, idiotically playing into Joker ’ s obvious ploys like an incredible moron. He literally drives the Batmobile over residential tile rooftops, giving Joker the cause he needs to show people Batman ’ mho recklessness. Batman – on television camera – chokes Joker half to end before emptying a bottle of pills down his throat and forcing him to swallow. He besides choke-holds him – again on camera – former on, while, as Bruce Wayne, he knocks out a businessman in the middle of a party.Dick Grayson and Jason Todd suddenly hate Bruce and have always hated Bruce while Gordon is cook to throw away years of friendship, cooperation and arrests the instant the Joker needs him to – it ’ s besides much. There ’ south abeyance of unbelief and there ’ randomness this.And then the biggest flaw : joker himself. He ’ randomness calling himself Jack Napier hera, as in Jack Nicholson ’ s character from Batman ’ 89, who was insane until he was on the spur of the moment cured with pills. This is just a personal preference but I ’ ve never liked the “ Joker is crazy ” position which is army for the liberation of rwanda excessively shallow and dull an explanation. I much prefer Heath Ledger ’ randomness Joker, a cool, calculating sociopath – surely unhinged mentally – but fresh, thoughtful, give voice, and deadly serious about, and more than capable of achieving, his goals. not some gibbering lunatic randomly doing any, whenever, whyever.Apparently Joker being crazy was the only matter holding back the people of Gotham from embracing him. Quick as you like they ’ rhenium able to forgive the years and years of murders, explosions, poisonings, and everything else the Joker ’ s done ! I mention all those spoilers to point out how project, faineant and stupid Sean Murphy ’ second write and diagram is. Everything is far besides damned convenient and that ’ s why I didn ’ thyroxine buy any of it, even as an Elseworlds narrative ( which is the entirely thing this koran could be ). Don ’ thyroxine get me ill-timed, I ’ thousand all for Elseworlds and different takes on characters – so long as they ’ re done well, internet explorer. the history makes sense within its own logic, it ’ second playfulness and/or heedful, or says something newly about the characters ; except White Knight is anything but. Joker ’ s “ reasonable ” motivations for everything wear ’ t make a solve of sense. He wants to show Gotham that they don ’ t need Batman, using the tire “ costumed crazies weren ’ thymine there until he showed up ” argumentation, because there ’ d be no crime without him – and has to break the law numerous times to show that ? ? And what does he think anyhow – that with Batman locked up all of Gotham ’ s performance artist villains would just slink away ? Joker ’ s origin here is largely the Killing Joke ’ randomness which is another problem with this book : everything is lifted from somewhere else. It ’ s such an unoriginal comedian. The origin is Alan Moore ’ s Killing Joke, Jack Napier is from Batman ’ 89, Joker believing he ’ randomness Batman ’ randomness best friend is from Scott Snyder ’ s Death of the Family, the beastly Batman hera is taken from Frank Miller ’ s Batman books, the Joker/Harley kinship is from Batman : The Animated Series, and the visuals are taken from the full spectrum of Batman books, movies and television shows over the stopping point 75+ years. The one arguably “ new ” addition Murphy brings is a icky pitch on Harley : ( view spoiler ) It ’ s just pandering to fandom. possibly if you ’ re person who reads Batman books for Easter eggs and references you ’ ll love this. And you ’ re a salivate idiot.Even though I don ’ t believe it exists, given that Murphy was going for the “ Joker is crazy ” fish, I ’ five hundred hoped for a book examining the Jekyll/Hyde duality to Joker – possibly Murphy ’ s Jack Napier/Joker could be a bewitching, complex relationship like Smeagol/Gollum or Jack/Tyler Durden. Or possibly a story like this could work if the plot points didn ’ thyroxine hinge then much on convenience – the Clayface/Hatter mind control was farcical, as was Freeze ’ s big gun. But if you can ’ thyroxine make it work without having to be unintelligent about it – because Batman and Joker are besides defined at this point – then possibly don ’ triiodothyronine write it. possibly write a unlike fib with unlike characters to avoid this many blunders.Ultimately though it comes down to Murphy ’ s miss of ability as a writer. If you rely this a lot on contrivance, you ’ re a hack. The book is way besides long at eight issues ( that Freeze subplot was then pointless and tying in the Nazis was distasteful and unnecessary ), the pages are packed wax of besides much bad write and exhibition, none of it interesting to read and most of it nonsense anyhow ; it is an absolute wear to slog through. I ’ five hundred forgive a bunch if the floor was entertaining or if all of this useless table-setting went anywhere unique or apt ; but no, it ’ south another predictable load of uninsightful, unmemorable nothing.Murphy ’ s a very well artist – many pages looked amazing, particularly the numerous Batmobiles – but he ’ s a terribly feckless writer. Batman : White Knight is a derivative instrument, haphazard, boringly drawn-out fix and joins the embarrassing likes of Going Sane, Lovers and Madmen, and The Joker ’ s last Laugh as among the worst Batman/Joker books ever.

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