What ‘s most noteworthy about Ghibli is just how varied their output signal has been. The studio apartment has given us unforgettable classic fairytale-like movies aimed at kids, complex and ripe fantasy epics, and tragic and beautiful drama in a relatively short period of time. It ‘s no wonder, then, to see how influential the study initiated by friends and longtime collaborators Hayao Miyazaki and Isao Takahata has been on the diligence. Everyone from Guillermo del Toro, to Wes Anderson, to the animators at Cartoon Saloon, have been influenced by the works of Studio Ghibli .
This makes ranking their 23 feature of speech films a about impossible task, given how different a capricious movie about a young enchantress is from a drama about a WWII airplane designer, from a movie about shapeshifting raccoon dogs fighting urbanization. More than anything, the works of Studio Ghibli do a great job romanticizing the ordinary. Where any other studio or film maker would focus on the feel of wanting to get aside from home to live an extraordinary liveliness, Ghibli films understand that there is magic trick in daily life besides .
In brusque, about all the Ghibli films are worth your time, but everyone likes to organize things, so we ‘ll try to provide a wholly objective, authoritative, and universal ranking of the Studio Ghibli films. Before we start, however, it must be noted that we are counting Nausicaä of the Valley of the Wind because it ‘s the movie that directly led to the foundation garment of Studio Ghibli, and had most of its creative team join Ghibli properly subsequently.
Without far bustle, here are the best studio Ghibli movies, ranked .
COLLIDER VIDEO OF THE DAY
- 23. Earwig and the Witch (2020)
- 22. Tales From Earthsea (2006)
- 21. Ocean Waves (1993)
- 20. The Secret World of Arrietty (2010)
- 19. From Up on Poppy Hill (2011)
- 18. The Cat Returns (2002)
- 17. When Marnie Was There (2014)
- 16. Ponyo (2008)
- 15. Howl's Moving Castle (2004)
- 14. My Neighbors the Yamadas (1999)
- 13. Nausicaä of the Valley of the Wind (1984)
- 12. Only Yesterday (1991)
- 11. The Wind Rises (2013)
- 10. Porco Rosso (1992)
- 9. Pom Poko (1994)
- 8. Castle in the Sky (1986)
- 7. Grave of the Fireflies (1988)
- 6. My Neighbor Totoro (1988)
- 5. Whisper of the Heart (1995)
- 4. Spirited Away (2001)
23. Earwig and the Witch (2020)
Image via Studio Ghibli The inaugural 3D CGI-animated movie from Studio Ghibli, and hopefully the last 3D CGI-animated Studio Ghibli film. Gorō Miyazaki shows he knows all the tropes and ingredients to make a good Ghibli film, but the film lacks the substance of one. There are some cool ideas about the feel when your parents stop comment or caring about you, which only makes it more disappoint to see this being short more than a cover of Gorō ‘s dad ‘s greatest hits .
22. Tales From Earthsea (2006)
Image via Studio Ghibli Another unfortunate Gorō flop. Write it off as inexperience, or a series of books that are impossibly difficult to adapt. Whatever it may be, there ‘s no traverse that Tales From Earthsea gets besides interfering trying to mix and match diagram points from different books that it forgets to tell a coherent narrative. There are some dear thematic moments here, but they arrive as excessively little, besides late, to the point where tied the dragons are n’t enough to keep your eyes on the screen rather than anywhere else .
21. Ocean Waves (1993)
Image via Studio Ghibli This is technically a television movie meant as a more cheaply-made animation exercise for some of the younger staff members at Ghibli, Ocean Waves could have easily passed as the influence of a senior energizer at the studio with a much larger budget. There is not a tip of charming or flightiness in the narrative, but it still has the insidious melancholy and play that the studio apartment sol effortlessly makes pop music. It does n’t hit angstrom hard as the other films on the list when it comes to themes and motifs, if you want a movie about adolescent alienation and the find of reflecting on certain relationships years late and realizing how much you misunderstood sealed encounters, this is the Ghibli movie for you .
20. The Secret World of Arrietty (2010)
Image via Studio Ghibli Hiromasa Yonebayashi makes his directorial debut with a film that feels besides much like an attack to replicate the glory days of the studio apartment quite than a fresh newfangled voice trying out something new. The film is set in a world where bantam people known as “ borrowers ” live undetected aboard humans, “ borrowing ” things from them when they need it. We follow Arrietty, a borrower girl who becomes friends with a human boy named Shō. flush if the floor is lacking in certain places, the visuals pop with the kind of creativity you ‘d expect from Ghibli .
19. From Up on Poppy Hill (2011)
The one Gorō worth observation, this is a more aboveboard drama compared to other entries in this tilt. From Up on Poppy Hill follows two boarding schoolers in the early 1960s as they fight to save a clubhouse from being demolished, while the rest of the city reckons with the bequest of WWII and the approaching 1964 Summer Olympics in Tokyo. The film has great energy and a sense of nostalgia for a specific meter in japanese history that makes this a distinct experience, even if it never reaches the dramatic heights of the rest of the studio ‘s output .
18. The Cat Returns (2002)
Image via Studio Ghibli The fact that this is distillery one of the good Ghibli film goes to show how excellent their output signal is. The Cat Returns is the rare Ghibli film that ‘s a by-product of another one of their previous films, more specifically Whisper of the Heart, focusing on a minor quality from that film. Hiroyuki Morita is, unfortunately, no Miyazaki or Yoshifumi Kondo, but he hush builds a compelling narrative with a more antic floor than most other Ghibli movies. It ‘s fun, but kind of forgettable. If you ‘re a computerized tomography person, you should decidedly give this film a watch .
related : ‘ Earwig and the Witch ’ Review : like Studio Ghibli Magic in An Iffy New Package
17. When Marnie Was There (2014)
Image via Studio Ghibli A more elusive film than previous Ghibli films, Yonebayashi ‘s second directorial feat however serves as a intrigue elegy for the studio, before Miyazaki announced his comeback and he let his son make a severe CGI movie. When Marnie Was There is a reward history about accepting the past in regulate to move forward and follows a bow out 12-year-old foster child who is sent to a rural town to treat her asthma. While there, she begins a friendship with a young female child named Marnie, who may or may not be a ghost. superficially simple, the narrative distillery packs a hard emotional punch, one that catches you by surprise but reminds you of the best that Ghibli represents and can do .
16. Ponyo (2008)
Image via Studio Ghibli Without a doubt, Ghibli ‘s kiddiest film to date, but far from its worst. Ponyo is a mix between The Little Mermaid and Pinocchio, the film follows a goldfish daughter named Ponyo who decides she wants to become a human after a fateful brush with a male child named Sōsuke. The film is absolutely delightful, with enough bright colors and charming characters to captivate the little ones, and a heartwarming report that will make the parents smile while watching. certain, this may lack the heavier themes of other Miyazaki movies, but the hand-drawn vivification and Ponyo ‘s electrifying department of energy is adequate to keep you engaged .
15. Howl’s Moving Castle (2004)
visually, one of Ghibli ‘s most stun features, so far one that feels a bit excess given how many of their films share the lapp themes and do them better. The titular castle is absolutely strickle, a remarkable feat of animation filled with excruciating detail, and the film ‘s word picture of magic trick is one of the most singular depictions in film. The titular Howl ‘s powers feel ancient so far fabulously mighty. Though this remains a intrigue “ what if ? ” scenario ascribable to Digimon the Movie ‘s Mamoru Hosoda having originally signed on to direct this film before being fired, Miyazaki still does a estimable subcontract in combining his love for magic, gamble, and notion, with a affecting answer to the war in Iraq and the manner violence and war destroy the soul. If you watch the dub version of the film, you ‘ll be presented with a delightful performance by Billy Crystal as a sentient fire demon .
14. My Neighbors the Yamadas (1999)
Image via Studio Ghibli Isao Takahata ‘s adaptation of the democratic Nono-chan manga feels like a slice-of-life version of Totoro, exchanging the fairy-tale creatures for hilarious vignettes of the everyday life of a regular family. What makes this special is the way the film is animated to look like newspaper comic strips, using the medium to tell a story in a way that differently could not be replicated.
13. Nausicaä of the Valley of the Wind (1984)
Though it was made before the actual initiation of Studio Ghibli, Nausicäa of the Valley of the Wind gives viewers a glimpse into much of what would make Studio Ghibli the powerhouse it ‘d become. It ‘s a less graphic version of Princess Mononoke that however shares its anger at the manner humans treat nature. What differentiates Nausicaa is that it does n’t offer the lapp nuance approach to villains that Mononoke has, because it does n’t extend them any sympathy. The film is set in the army for the liberation of rwanda future, where the breeze has become sol toxic that humans are forced to wear front masks and live in isolate cities to protect themselves from giant mutant insects. The titular Nausicaä is a princess who sets out to stop a militaristic cabal from resurrecting an ancient living weapon to reinforce humanness ‘s dominance over nature. Though it may feel a bit pleonastic if you watch Mononoke ahead, the worldbuilding, creature blueprint, and more affirmative ending to Nausicaa make this a film worth seeking out .
12. Only Yesterday (1991)
Image via Studio Ghibli There comes a point in everyone ‘s life when they realize life sentence did n’t turn out to be the manner they imagined as kids, so of course, Takahata would make that into a movie. Only Yesterday follows a woman reflecting on her childhood memories while on a aim drive to the countryside. The film is an observation of everything from social class, the function of women in japanese club, urbanization, the generational col, and the question whether you betray your past self by not following every one of the pipe dream you had as a kid. Though this is the most low-key of Ghibli ‘s films, it ‘s inactive a brawny narrative, one that feels like the kind of indie drama that would win every award at a film festival .
11. The Wind Rises (2013)
Image via Studio Ghibli Intended to be Miyazaki ‘s final examination film before retirement, this is a great film about an artist reflecting on his bequest. Like Takahata with The Tale of Princess Kaguya, Miyazaki takes his sexual love of planes to tell the narrative of a WWII airplane interior designer which besides serves as a reflection of a life making anti-war films that were never seen as sufficiently anti-war. Miyazaki gorgeously and meticulously gives us a glimpse at the complexity of both loving airplanes and being a pacifist who knows the true purpose of those planes. The Wind Rises, then, becomes ampere a lot a film about a designer coming to terms with his initiation being used for atrocious purposes, as a film maker coming to terms with his creative end product being misinterpreted, and reinterpreted in ways he never imagined. It may be a more hushed film than Miyazaki ‘s earlier exploit, but it ‘s a fantastic film about being forced to become a realist and a great look back at the work of a overcome at the lead of his game .
10. Porco Rosso (1992)
Image via Studio Ghibli A bang-up movie made boundlessly better by having Michael Keaton voice the titular character in the US dub, Porco Rosso is Ghibli ‘s most straightforward action/adventure movie. This is a love letter to WWII-era epics like Casablanca, following an italian flying allied command europe in the 1930s hunting air pirates in the Adriatic Sea, merely he besides has the face of a pig bed. Porco is one of Ghibli ‘s most memorable characters, a classic ace, chauvinistic adventure-movie leading you could wholly see Humphrey Bogart play if it was made in the 1940s. Of course, Miyazaki is not going to equitable give us an adventure movie, because he besides takes the opportunity to comment on the rise of fascism in Italy during the 1930s, with Mussolini ‘s confront a constant presence in the backdrop, talk of secret police becoming more big, a flashback scene that walks the line between antic and super grounded in reality, all leading to a rallying cry that feels all the more powerful nowadays : “ I ‘d preferably be a devour than a fascist. ”
relate : Studio Ghibli Just Released 400 spare Images From Their beautiful Anime Movies
9. Pom Poko (1994)
Image via Studio Ghibli Studio Ghibli has a bunch of wyrd films, but there ‘s no film as balls-to-the-wall weird as the one with the giant charming tanuki scrotums .
You heard that right. Though Grave of the Fireflies is Isao Takahata ‘s natural and dark film, this is his version of Princess Mononoke — a furiously angry dark drollery about nature striking back against suburban development. Defending nature is a group of tanuki ( or raccoon dogs ) who are n’t afraid of haunting nearby construction sites to put the fear of deity into people by using their huge scrotums to shapeshift. This being Takahata, you should n’t count on Pom Poko having a cheerful ending, specially given that the movie is based around a substantial residential development around Tokyo that already existed by the time the film was released. There ‘s a storm amount of body horror, sexual tension among tanuki, and impenitent murder that you ‘d expect on a children ‘s movie, but there ‘s no denying Takahata ‘s infectious passion for the message that comes up time and time again in the works of Studio Ghibli — urban development and expansion does the irreparable danger to nature, and when we lose that, we lose ourselves .
8. Castle in the Sky (1986)
Image via Studio Ghibli technically the first proper Studio Ghibli title, and the begin of many tropes that the studio would repeat for years. once again, the narrative is elementary enough, following a boy and a daughter trying to find a magic trick crystal and a castle in the sky before a group of pirates catch up to them. And once again, the floor is but a get down point for a deluxe exploration of the fight between nature and man-made technology, which would become such a big part of Ghibli ‘s work. This is one of the rare Ghibli films to feature a fully recognizable and disagreeable villain, yet it ‘s one hell of a despicable and fun-to-watch villain. If nothing else, Castle in the Sky is deserving watching for how much it influenced other films, particularly in its steampunk-like aesthetic, which can be found in everything from Atlantis: The Lost Empire, to The Iron Giant and WALL-E.
7. Grave of the Fireflies (1988)
Image via Studio Ghibli besides known as the Ghibli movies you do n’t show to kids, or to people who do n’t want to cry every 5 minutes, Grave of the Fireflies is one of Takahata ‘s most brawny films, and one that should however be experienced by people of all ages. The film follows two siblings during the final examination months of WWII, as they face indefinable horrors following the end of their mother during an air travel raid. Make no error, this is far from the notion of Totoro or Kiki, but a ghastly and grounded anti-war film that catches you napping with a history of personnel casualty, pain and besides love. Be certain to have enough of tissues at hand. Due to licensing issues, Grave of the Fireflies is not available on HBO Max but it is available on requirement .
6. My Neighbor Totoro (1988)
The thing about Studio Ghibli is that there is a gateway movie for every person and every affair. Whether you ‘re a hardened old soul who loves WWII capers, a rebellious adolescent, or a young and impressionable child, there ‘s a Ghibli movie for you to obsess over. When it comes to young kids, there is no better place to start than My Neighbor Totoro. seriously, try showing this movie to kids and 1 ) not go brainsick after listening to the excellent, charming composition song for the film, and 2 ) not have them become addicted to Studio Ghibli. If there ‘s one matter Miyazaki is fabulously good at, is making amazingly rewatchable films where not a set happens, but that calm manage to charm and delight after 100 viewings .
There ‘s a argue Totoro has become the mascot for Studio Ghibli, and there ‘s a cause this outright adorable, cuddlesome, and indefinable charming animal/spirit being has become an absolute world icon. This is Miyazaki ‘s most serene film, a masterpiece of soothing filmmaking with a bare fib driven by the whims and imagination of two young sisters desperate to find escape from their blue world .
5. Whisper of the Heart (1995)
Image via Studio Ghibli only Studio Ghibli can make a film about a adolescent girl ‘s self-actualization that ‘s centered around John Denver ‘s “ Take Me Home, Country Roads ” song and make it rule. unfortunately, this is the first and only film made by Yoshifumi Kondo, who was being groomed as Miyazaki ‘s successor but died a few years after the film ‘s let go of. The film is the closest Ghibli gets to a proper romanticism movie, following a 14-year-old draw a bead on writer named Shizuki who spends most of her time reading and picturing fantastic adventures quite than pursuing them herself. When she meets a young aspirant violin manufacturer, she instantaneously gets a break down on him, and is inspired to follow his lead and pursue her passions no matter what .
What makes this a standout among Ghibli films is how it embraces both the importance of the creative procedure in how young people make smell of a chaotic global, and besides how difficult and not-straightforward it can be. Shizuki is a diamond in the boisterous, and she finally comes to terms with it. The characters in Whispers of the Heart know there will constantly be people better than them, and they do n’t become first artists yet, but they are all right with it, because this is lone the starting signal of their travel, and they have to experience all of it. There ‘s a argue why footage from this film became the setting animation for “ Lofi Girl, ” a channel that fueled countless students and young creatives ‘ inspiration sessions. Plus, did I mention that the plot revolves around John Denver ‘s ode to the feeling of comfort and belong ? Because you will have “ Take Me Home, Country Roads “ stuck in your read/write head for days on end .
4. Spirited Away (2001)
There ‘s a cause why Spirited aside held on as the highest-grossing zanzibar copal film for about two decades after its free, and why this was the first Ghibli movie to win an Academy Award. For starters, this is possibly the most accessible Ghibli movie, combining the spiritual themes Hayao Miyazaki explores over and all over again, with a simple yet very effective mod contain on the Wizard of Oz “ isekai ” report that is immediately extremely outstanding in seasonal television zanzibar copal. We follow Chihiro, a 10-year-old girl who finds herself trapped in a sort of haunt for supernatural beings and spirits, and has to find a way to free her parents from a atrocious curse .
It must be said that, though this is a movie for kids, it is authentically chilling. Chihiro discovering what happened to her parents is a grotesque, chilling, and despicable scene that sets the temper for the respite of the film, and many of the dozens of spirits can give you nightmares if watched besides early. Of run, this is calm Ghibli, so there ‘s a capricious spirit to the movie that absolutely balances the horror imagination, as it stays centered on the coming-of-age fib of Chihiro herself. A drift with Ghibli is that their female protagonists are both empowered and vulnerable in a way that no early studio manages to do, and this is no exception. Animation-wise, Spirited Away is a true marvel, bringing dozens of alone and memorable characters to life in a room that rivals any other animated film .