Make way for Yara Flor, the new Wonder Woman

Deep in the Amazon rain forest, Yara Flor stalks her prey. The prey is a massive imperial hydra with fanged teeth and eight slavering jaw. Normally easy, but this time, her warrior ’ s sword international relations and security network ’ t making a incision. She calls for help oneself, roaring the name of her noble steed : “ JERRY ! ”
After an undignified land on her pegasus ’ back, some stunt flying, and a few more snickersnacks of her sword, she defeats the hydra. Divine narrative tells us that she might not be the perfect bridge between the world of mortals and the populace of gods, but this youthful womanhood has been chosen for a grand piano fortune. Yara Flor is the new Wonder Woman of a distant future — but she might be the future of DC Comics itself .
The newly minted hero first gear appeared in January in the pages of Future State, the ambitious storytelling first step that pauses the present DC superhero universe to explore its potential future. That ’ s only the begin : DC Comics tells Polygon that this May, Yara will become Wonder Girl of the main timeline in a stand-alone Wonder Girl book. If all goes according to plan, she ’ ll besides ace in a currently-in-development CW series, and become the first Latina superhero to headline her own live-action television receiver picture .
Yara ’ mho introduction entirely is a milestone. The DC Universe has never had an Amazon from the Amazon before. And while multiple characters have worn the mantle of Wonder Woman and Wonder Girl, Yara is the first to be wholly imagined by a female creator, Joëlle Jones. Yara ’ s upcoming solo book, to be penned and illustrated by Jones, will be Wonder Girl ’ s first ongoing series in DC history. already, Yara is an outlier, coming from a bequest of female characters who have been ill served by the continuity churn of long-running comedian book universes. And she ’ s doing it with a alone voice.

“ I think the real number difference between her and Diana, ” says Dan Watters, who wrote for Yara in Future State : Superman/Wonder Woman, “ is that she ’ s not a princess or a queen. [ … ] She hangs out in wyrd bars with Amazon gods and she ’ second running around the streets of Brazil and helping people where she finds them. ” Superman/Wonder Woman artist Leila Del Duca describes her as froward and “ a little bit quick to anger. ” Joshua Williamson, who penned Yara ’ south adventures in future state : Justice League, can picture the hero in the real world. “ Yara would do karaoke after a successful mission, and would not only bring down the house, but be the last one to leave. ”
Her beloved is besides a shaping sport, says Jones. “ She ’ south excited to step into a hero function — about excessively stimulate, Labrador Retriever excited, to be there. ”
How Yara Flor took shape — in the ever-evolving landscape of comics, in the suffocate conditions of COVID-19 lockdown, and in the light of a beaming, vocal latin american english fandom — shows merely how the clientele of superheroes is changing, to one where rope-throwing warrior women slay monsters in Beyonce- and Balenciaga-inspired armor, and a womanhood shaping the future of Wonder Woman comics is anything but unusual .

Yara draws her sword to face a one-headed hydra in the jungle in Future State: Wonder Woman #1, DC Comics (2021).

Jones began her career writing and illustrate books for Dark Horse Comics, DC, and Oni Press before breaking away from the pack in 2016 with originals Lady Killer and Brides of Helheim, which both earned Eisner nominations. In 2017, she became a extremity of the vanishingly small club of women who have illustrated multiple issues of Batman, and the following class designed Catwoman ’ s wedding dress. The exploit was sol evocative, DC handed her write and artist duties on the Catwoman ongoing series .
Jones says that she has always loved Diana of Themyscira ( one of her Batman discharge flush featured Diana in a guest character ), but that there has always been an component of the character that felt inaccessible to her. “ She was this beautiful goddess that I looked up to and wanted to be like, and I wanted to take those emotions of admiration and put them in a character. It would be a womanhood who had the lapp powers, but had foibles as a human. ” Jones added that her mind was that the reader could “ watch the struggles of person wanting to be just like Wonder Woman, but who staggered along the manner. ”
Before there was Yara, there was Donna Troy and Cassie Sandsmark, Wonder Girls each with terribly inconsistent legacies muddled by reprise retcons. Donna ’ s lineage report was first invalidated by DC ’ s Crisis on Infinite Earths boot in 1985, and every try to close the loophole has tangled the character up in more crisscross continuity. It ’ s a coarse narrative for superhero characters forgotten or deprioritized by column. But if Wonder Woman is adenine important as Superman or Batman, then shouldn ’ triiodothyronine Wonder Girl be a important as Supergirl, Robin, or Batgirl ? Yara Flor might be the Wonder Girl corrective .
When Jones began work on Yara, it was with the mandate of creating a modern Wonder Woman in a electric potential future, without the motivation to explore a time when she and Diana of Themyscira shared a superhero community, much less a mentorship. But Yara was merely besides potent to be limited by the borders of the Future State timeline .
“ As things went on, and people got more interested, it barely kind of happened organically, ” Jones says. “ [ DC editorial was ] like, ‘ Let ’ s make her the new Wonder Girl. ’ ”
A new Wonder Girl needs her own series to chronicle her adventures, and May ’ s Wonder Girl # 1, written and drawn by Jones, will chisel Yara ’ s origins into DC canon. Raised in Jones ’ native Boise, Idaho, the hero will travel to Brazil to discover her roots. And in typical superhero manner, the search will turn into an epic poem venture with strange gods and a promise to “ change the global of Wonder Woman forever. ” Readers will find a short preview history for the new series in DC ’ s table-setting one-shot Infinite Frontier # 0, hitting shelves on March 2 .

Yara Floor waves goodbye in an airport, while two hooded women observe suspiciously, in Infinite Frontier #0, DC Comics (2021).

Yara ’ south brazilian inheritance spoke to her godhead ’ randomness fascinations and a greater demand. Jones became concerned in the mythologies of the Amazon river basin after a trip to Brazil for a convention, São Paulo ’ s Comic Con Experience. CCXP boasted 280,000 attendees — more than twice that of San Diego Comic Con, North America ’ s biggest sports fan convention — in 2019. Those numbers have not been lost on Hollywood. Guests at CCXP 2019 included the casts of Star Wars : The rise of Skywalker, Wonder Woman 1984, and Birds of Prey, ampere well as american comics luminaries like Frank Miller and Neal Adams. During their chew the fat, erstwhile DC Comics co-publisher Dan DiDio suggested that it would be fun to see a woman from the actual Amazon as an Amazon. Jones agreed, and began researching .
Bringing a brazilian Wonder Woman into DC canon added to a challenge that was already “ actually fucking daunting, ” as Jones puts it. Like some versions of Wonder Woman, Yara is the child of an Amazon ( that is, a woman from the island of Themyscira ) and a god. But alternatively of a Greek idol, Yara ’ randomness forefather is an Amazon river god. Jones would not divulge which Themysciran or which Amazon river idol, but said that she has plans for a dramatic sexual love history at the affection of how Yara came to exist .
For Yara ’ randomness origin, Jones says that she relished a new mythos, after growing up obsessed with Greek mythology. “ It ’ s unmanageable at times, because most of it ’ s in Portuguese, and I want to treat it right, ” says Jones. “ So it ’ second been asking for a lot of help, reading a lot of books, and delving into some strange YouTube channels. ”
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If Yara was inspired by travel and modern experiences, she was honed in the much smaller world of COVID-19 lockdowns — and the aim market ’ s about two-month hesitate caused by the Diamond Comics closure. “ She has such a big, broad worldly concern, and it goes through mythology and different continents and cultures, ” Jones says. “ And I [ was ] adhere at home in my PJs, nowhere to go, nothing to do. It gave me an opportunity to block out everything else and hang out in my resource. After I ’ vitamin d seen all the television shows and read all the books I wanted to read, there ’ mho nothing left but me and daydreaming. [ … ] I can ’ deoxythymidine monophosphate mental picture her coming out at any other time, for me personally, to have that time with her in the way that I did. ”
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Before pandemic health precautions became the daily average, Jones shared a studio with artist Leila Del Duca. But the two preserve in touch with their studiomates in regular zoom sessions, to simulate the experience of working in the same space, while Jones was working on Yara Flor .
“ I got to see my ally Joëlle create this new iconic character, and hear about her worries and victories throughout the process, ” says Del Duca. “ [ I was ] extremely proud and excited that she got to have this chance, and that DC went with her ideas. [ … ] Every clock time she showed us a new costume, we were like, Oh my god, this is then good ! Were you looking at Beyonce with those boots ? ”

Concept art of Yara Flor’s Future State costume, highlighting her Kokoshnik tiara, gold armor, and boots.

She was. Jones ’ approach to the costume and gear of a new Wonder Woman was defined by remainder. She wanted Yara ’ s look to be slightly revealing, in court to the history of Wonder Woman costumes, but she besides didn ’ t want to make a Wonder Girl who was besides exposed. It would be an understatement to say that the relative skimpiness of superheroine costumes compared to those of their male counterparts has been an periodic subject of heat discussion in the comics community. therefore Jones looked to female icons in fashion who achieved that harmony, and finally homed in on Beyonce.

“ Her operation costumes, to me, have such power behind the silhouettes, ” says Jones. “ If there ’ second sex in it, she owns it ; it ’ second hers. I started with that silhouette, and from there, I went to some Balenciaga leggings that are wholly made out of metallic element. It ’ randomness glistening, gorgeous gold metallic that reminded me of Barbarella. ”

Concept art of an alternate costume for Yara Flor/Wonder Woman.


A black and white drawing of Yara looking bored and wearing a job uniform for River Tours.

Jones designed about 30 different outfits for her new Wonder Woman, but wasn ’ metric ton certain the costume was a success until after Yara was revealed to the worldly concern in the first announcements of future State. Jones immediately began to see cosplayers hard at work replicating Yara ’ s leotard and golden asymmetrical armor .
“ I didn ’ triiodothyronine think anybody could do it, ” Jones says. “ I didn ’ thyroxine think it would be possible with the armor and all this stuff. Oh, cosplayers are gon na hate to do this. But they jumped on it thus fast that it inspired me to stick with my guns. ”
From the girdle of Gaia to the winged sandals of Hermes, Wonder Woman has had her fair share of superheroic accessory and supernatural modes of transportation, and Yara Flor is no different. But there ’ south besides her non-sartorial gear :

The Sword


A black and white drawing of Yara Flor/Wonder Woman’s sword, which has a jagged blade close to its hilt.

Jones says that the idea behind giving Yara a sword was elementary : Sword fights are just fun to draw. But to give the weapon a link to ancient Brazil, she based its human body on a spear peak found at an Amazonian anthropological locate, enlarged, elongated, and given a hilt .

A black and white drawing of Yara Flor/Wonder Woman’s boleadoras, a braided rope weapon with three weights on the ends.

The Boleadoras

Yara wields a set of aureate boleadoras, a bola with three leaden ends. The rope weapon, which is thrown in such a way as to entangle an animal ’ second legs, has a farseeing history in South America for its use in cattle ranching, much as the lasso does in the american english West. And when it comes to Wonder Woman ’ s lasso weapon, there ’ s lone one question to be asked : Are they Boleadoras of Truth ?
According to Jones, Yara ’ s bolo tie is even more knock-down than the Lasso of Truth, in some ways. “ Her bolo tie acts more as a weapon of master. She could control person to speak the truth, or control them in the manner they think, or control their actions. It takes the Lasso of Truth and amps it up a bite more. ”

Jerry the Pegasus


Yara Flor/Wonder Woman triumphantly astride her winged horse, Jerry.

A bridge between the world of Themyscira and Brazil, Yara does have one creature of greek myth at her beck and call ( when he bothers to listen ). That ’ s her pegasus, Jerry, making the report of Yara Flor bona fide Horse Girl Content .
Why is this brilliant, if fractious, beast named Jerry ? Jones thought it was funny story .
“ I had a real estate agent named Jerry, ” she tells Polygon. “ I in truth liked saying his list, and I found myself saying his name to him all the time, like, ‘ So how many bathrooms does it have, Jerry ? Tell me more about this skylight, Jerry. ’ ”
Creating a new superhero is a monumental feat. A character who can stand up alongside the DC Trinity needs a memorable purpose, a compelling origin, a winning personality, and a absorbing modern report to put them in. But in a ceaseless amusing book universe it ’ s not enough for your character to galvanize readers. It has to make other comics creators want to pick up the pen and continue where you left off .
fortunately, Yara Flor has a head get down. Right off the bat, she earned a spot in two extra Future State books, and DC column helped get the other creative teams up to speed on her personality. Jones ’ two-issue Future State : Wonder Woman history showcases a younger, more froward Yara in an early solo venture. A more season Yara clashes with Jon Kent — when a brazilian god clashes with a automatic ace — in Dan Watters and Leila Del Duca ’ mho Future State : Superman/Wonder Woman. And in future state : Justice League, from Joshua Williamson and Robson Rocha, Yara and Jon are veterans of the earth ’ randomness first superhero team, facing a threat the likes of which the Justice League hasn ’ t seen since their predecessors were in charge .
“ I ’ ve had such a fun time drawing [ the costume ], personally, ” says Del Duca. “ I besides actually love that [ Jones ] gave her bangs and long hair — it helps showing bowel movement when drawing action scenes. ”
“ In about a wyrd manner, ” Watters tells Polygon, “ she ’ s an obvious quality that didn ’ t exist so far. Of course, there needed to be a Yara Flor. Why was there never a Yara Flor before ? ”

Nearly a dozen black and white studies of Yara Flor from the neck up, from different angles.

Yara ’ mho put in future State signals a significant editorial investment in a brand-new character, the kind of attention that could have kept Donna Troy and Cassie Sandsmark from becoming continuity relics. An ongoing Wonder Girl script is a further vote of confidence, and one that gave Jones license to dive deep on the character ’ randomness origins. And soon, television receiver viewers will get their own interpretation of Yara Flor, to stand following to Supergirl, the Flash, and Batwoman .
In November, the CW announced that Dailyn Rodriguez ( Queen of the South, Ugly Betty ) had joined Berlanti Productions ( The Flash, Arrow, etc. ) to helm Wonder Girl, based on Jones ’ work. “ They were like, We ’ re interest in this character, and we decidedly want to have something for a brazilian audience, ” Jones says. “ It ’ s been fun to talk with early people about it, and then hear their ideas — because television ’ s going to be a bite more prohibitive than comics, and one of my front-runner things is problem-solving those little things. ”
One of those little things ? A fly sawhorse is an easy sell in a comedian, but less then in a television receiver series. Sorry, Jerry .

Yara Floor screams at the sky, sword in hand, surrounded by mysterious amazon faces and a crashing whirlpool of water, on the black-and-white cover of Wonder Girl #1, DC Comics (2021).

“ It was a very carousel means to get there, ” Jones tells Polygon on inventing Yara Flor. “ But ultimately kind of comforting, because I got to sit with her and who she was for such a long time that when it came to her changing to Wonder Girl, I feel like I had a grip on who she was. ”

DC and Marvel creators fabricate dozens of superheroes and villains every year, but it ’ s alone a cute few who break out of the pack. It would be stupidity to try to predict the future ( state ) for any raw superhero. But Yara has a lot going for her. She ’ s a beginning for both on-page and sub-rosa diversity at DC Comics. She ’ second got her own television receiver show in development before her solo comedian series launches, and multiple creators are already pulling for her success .
Her column origin fib could not be more of the here and now, following a year in which DC Comics was rocked by changes from without and within, but it ’ sulfur besides an acknowledgment of what is sealed about the future of superhero storytelling. Yara is a heroine for an increasingly global audience that enjoys their tights and fights across all formats .
In more ways than one, she is the Wonder Woman of Future State but the Wonder Girl of the future .

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