Batman (1940—2011) | DC Database | Fandom

Batman (Volume 1)Volume Template

350?cb=20141004163644 Cover Gallery


Ongoing Series

Total Issues


Dates Published

March, 1940 – October, 2011


Batman · Robin


Bill Finger · Bob Kane


Zero Hour · DC One Million · Bloodlines

Next Volume
Batman (Volume 2)

Batman began issue in the form of 1940 and was published until 2011. Batman was initially released as a quarterly magazine, but changed to a bi-monthly format with exit # 6. Beginning in 1954, National Periodical Publications began publishing eight issues of Batman a class. It was n’t until issue # 260 that DC Comics began publishing Batman on a monthly basis, where it has remained ever since. The beginning seven Batman Annual editions were actually released on a semi-annual basis, rather than annual. They were double-sized issues reprinting classic Batman tales. With annual # 8, the series began publishing original stories. With the exception of Action Comics and Batman ‘s own predecessor, Detective Comics, the Batman title remained one of the longest campaign DC comic script series of all time .


“Batman” was the inaugural amusing book series featuring Batman as the supporter. After a successful year of publishing Batman stories in Detective Comics ( volume 1 ) ; DC started publishing “Batman” in the spring of 1940. As with most books of the earned run average, it consisted of diverse stories featuring Batman and his recently introduced buddy, Robin.

Golden Age

Batman was a relatively new character in the Golden Age of Comics, and the creative teams on the “ Batman ” series consisted of the lapp people who had worked on the Batman stories in “ detective Comics ”. They were Batman ‘s creators Bill Finger and Bob Kane. The two of them, with aid from artists like Jerry Robinson and George Roussos, collaborated on the initial issues of Batman. The job was relatively easy as the book was initially published on a quarterly schedule. however, “ Batman ” became a bi-monthly comic book starting with Batman # 6 ( 1941 ). As the workload increased, newfangled creators were brought along to assist Kane and Finger produce the necessary Batman stories for the book. Most of the new creative endowment were brought to assist Kane in the art department. They were Jack and Ray Burnley, Lew Sayre Schwartz, Paul Cooper, Charles Paris, Jim Mooney and most importantly, Dick Sprang, who defined the means Batman looked in the Golden Age. All of them worked as ghostwriter artists for Bob Kane, who was silent the only creator credited in the Batman comics. assorted writers were besides involved in the creation of the comics including Don Cameron, Joseph Greene, Edmond Hamilton, David Vern Reed and a few others. Despite their contributions, Bill Finger remained the main writer of the Batman title. During the Golden Age, the “ Batman ” series introduced many of the concepts, characters, tropes and items that became long-familiar in the Batman mythos. Joker and Catwoman were both introduced in Batman # 1 ( 1940 ) ; Gotham City was formally named in Batman # 4 ( 1940 ) ; Alfred Pennyworth first gear appeared in Batman # 16 ( 1943 ) ; Vicki Vale and Mad Hatter were created in Batman # 49 ( 1948 ) and Deadshot first appeared in Batman # 59 ( 1950 ). The “ Batman ” stories of this earned run average were largely action-adventure oriented, with Batman and Robin confronting a ten thousand of criminals. Among the most common villains were gangsters and schemers of all sorts, while the best know foes showed up only on special occasions. During World War II ; there were besides a couple of war-themed stories. Ocassionally, some stories developed fantasy and science-fiction themes, such as time-travel and encounters with fabulous creatures and supernatural settings. As the Golden Age came to an end, the creative efforts shifted, dropping the crime-related stories in favor of science-fiction and illusion stories .

Silver Age

In the early 1950s, the comedian book industry undergo drastic changes that culminated in the initiation of the Comics Code Authority ( CCA ), in 1954. During these years, Bill Finger remained as the main writer, while a few others like Edmond Hamilton and Ed Herron filled in for Finger whenever DC required extra stories. The art in Batman was still managed and credited to Bob Kane, while his ghosts artists, like Dick Sprang and Lew Sayre Schwartz, did all the job. With the introduction of the CCA, Jack Schiff became editor program of the Batman comics and shifted the creative efforts on the book to meet the requirements of the Comics Code. For the following ten, the Batman stories became increasingly “ airheaded ” and were heavily influenced by science-fiction and illusion. Most of the common creators remained on the entitle, with the exception of Dick Sprang, who moved away from doing Batman. Bob Kane soon found a successor and Sheldon Moldoff became the main Batman artist for the adjacent decade. Moldoff was often assisted by inkers like Stan Kaye and Charles Paris. Jack Schiff oversaw the creation of multiple characters like Bat-Mite, Ace the Bat-Hound, Batwoman and Bat-Girl and few celebrated new enemies like Mister Freeze and Clayface 2. Despite these new creations, the creative shift of the Batman comics to the more “ kid-oriented stuff ” was harmful and the Batman sales dropped .
In 1964, DC assigned Julius Schwartz as the new Batman editor program and under his management, new writers and artists were brought in to the Batman comics. initially, the writing duties were shared by Gardner Fox and John Broome, who worked with Bill Finger on newfangled Batman comics, until 1966, when Finger was no longer separate of the team. Sheldon Moldoff remained as the main artist in Batman, but he was forced to change his style in order to match that of the main artist in Detective Comics, Carmine Infantino. Joe Giella became the raw inker for both series and Gaspar Saladino replaced Ira Schnapp as the letterer on the serial. This new creative team revived some of the old villains like Riddler, Joker, Catwoman and Penguin ; an attempt that came about around the same time as the Batman TV Show gained popularity. Poison Ivy is the most celebrated character created in that earned run average, thanks to a rare collaboration by writer Robert Kanigher in Batman # 181. By the goal of the 1960s, Bob Kane was no longer under narrow and his touch artist, Sheldon Moldoff was besides removed from the reserve. Gardner Fox and John Broome were replaced and Frank Robbins became the main Batman writer, working with Irv Novick as the main Batman artist. Dick Giordano started workin as the inker and the letters were done by Ben Oda. This creative team tried to revitalize the concept of Batman as a Dark Knight and working with editor program Julius Schwartz, they promoted a big change to the status quo. In Batman # 217, Robin graduated high school and went to college, leaving Batman as a loner as he had been in the beginning. This besides marked the conclusion of the Silver Age of Batman .

Bronze Age

The Bronze Age is often placed between the early 1970s until the mid 1980s and it ‘s the era that consolidated the Batman comedian as a monthly series. It started in 1970, when the creative team decided to bring back the calculate of Batman as a iniquity avenger. The leading creative team of this earned run average were writer Dennis O’Neil and artist Neal Adams ; who set the new standards for the Batman stories. They would frequently share the creative duties of the Batman championship with writer Frank Robbins and artist Irv Novick. These creative teams oversaw the universe of crucial newly characters like Ra ‘s alabama Ghul in Batman # 232 and the vamp of erstwhile classic enemies like The Joker in Batman # 251.

By the mid-1970s, most of the creative teams had moved on to early projects, leaving entirely editor program Julius Schwartz as the constant member. He promptly hired writer David Vern Reed and artist Ernie Chan as the newfangled Batman collaborators. Chan lasted for a year and many artists filled in the exemplification chores of Batman including Romeo Tanghal, John Calnan, Mike Grell, Sal Amendola and Michael Golden. In 1978, writer Len Wein was brought as a replacement for Reed. After 14 years as the editor of the Batman comics, Julius Schwartz stepped down and starting in Batman # 310, Paul Levitz became the new editor program of Batman. Wein wrote Batman until Batman # 327, after which writer Marv Wolfman took over the writing duties. Novick remained as the independent artist until the early 1980s, when Dick Giordano became the fresh Batman editor and hired Gerry Conway as the independent Batman writer and Gene Colan as the fresh artist. Artist Don Newton joined the team soon afterwards and together, Conway, Colan and Newton oversaw the creation of raw characters like Jason Todd in Batman # 357. In 1983, Len Wein became the new Batman editor and he hired Doug Moench as the new Batman writer. Moench worked aboard Colan and Newton until the latter passed aside and was replaced by Tom Mandrake. Moench and his team created Nocturna in Batman # 363 a well as Black Mask in Batman # 386. The Bronze Age came to an end with the Crisis on Infinite Earths, which besides marked the end of the collaborations between Len Wein, Doug Moench, Gene Colan and Tom Mandrake in Batman # 400 .

late 80s and 90s

Former Batman writer, Denny O’Neil became the modern Batman editor program in 1986 and started afresh with different creative teams. The first bad storyline in the Batman amusing was Batman : year One, written by Frank Miller and illustrated by Dave Mazzucchelli. The report became the new origin history for the character in the Post-Crisis continuity for DC Comics. The narrative lasted for 4 issues, after which Max Allan Collins became the main Batman writer, working with artists like Dave Cockrum and Chris Warner. Collins wrote the new origin floor for Jason Todd, which was published after “ year One ”, in Batman # 408. Jim Starlin became the new Batman writer working aboard veteran Batman artist, Jim Aparo in 1987. They worked on the style for over a year and created iconic storylines such as Batman : Ten Nights of the Beast and Batman : A Death in the Family, which saw Jason Todd murdered at the hands of the Joker. After Starlin ‘s run, John Byrne collaborated with Aparo in the storyline called many Deaths of the Batman. In 1989, Marv Wolfman became the modern Batman writer while Aparo remained as the independent artist in the series. Among their most luminary works are the storylines Batman : year Three and Batman : A lonely rate of Dying ; which introduced Tim Drake as the new Robin. One class later, Peter Milligan and Kieron Dwyer worked on a shortstop storyline called Batman : Dark Knight, Dark City ; after which Alan Grant and Norm Breyfogle became the fresh creative team on Batman ; formally introducing Tim Drake as the raw Robin in Batman # 457 ; Harold Allnut in Batman # 458 and Ace the Bat-Hound in Batman # 464 .



















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