Nikon ES-2 Film Digitizing Adapter Set review

The ES-2 Digitizing Adapter kit works well, but it feels overpriced for a collection of plastic holders and adapters, given that you will besides need one of the three compatible macro lenses, but it does make use of the D850 ’ s resolving power. however, a choice flatbed or dedicated film scanner can be had for less than the combine cost of an ES-2 kit out and lens, though the scanning process can be much slower. The ES-2 Digitizing Adapter kit out works well, but it feels overpriced for a collection of credit card holders and adapters, given that you will besides need one of the three compatible macro lenses, but it does make consumption of the D850 ’ s resolving power. however, a timbre flatbed or dedicated film scanner can be had for less than the unite cost of an ES-2 kit and lens, though the scanning procedure can be much slower. Nikon ’ mho Film Digitizing Adapter ES-2 kit out was designed to harness the power of the Nikon D850 ( opens in newfangled check ) ’ second 45.7MP resolving power to create exceptionally high-resolution digital scans of your old analogue film negatives and slides – whether they be coloring material or monochrome. You will besides need a compatible Nikon macro lens in order to use the ES-2.

Although launched for habit with the D850, lots have people have used this kit with other Nikon cameras including the 45 megapixel mirrorless full-frame Nikon Z7 ( opens in new tab ) and Z7 II ( opens in newly tab key ). In terms of macro lens, The ES-2 Digitizer can be mounted on Nikon ’ s AF-S DX Micro 40mm f/2.8G, AF-S Micro 60mm f/2.8 ED, or AF Micro 60mm f/2.8D. The two 60mm lenses require 62mm adapter rings, included in the ES-2 kit out. The late Z-mount Nikkor Z MC 105mm f/2.8 VR S ( opens in new yellow journalism ) besides has a 62mm filter closed chain, making it a suitable choice for use with the kit. The ES-2 kit is actually army for the liberation of rwanda simpler than its price tag suggests. In the box is the ES-2 adapter itself. This is similar to a lens hood, but can be extended/retracted to calibrate concenter ; its front is covered by a translucent panel that illuminates your films evenly from behind. Into the adapter you can then slide either the FH-4 Strip Film Holder, or the FH-5 Slide Mount Holder – both included in the kit. The final two elements in the kit are a couple of arranger rings, required for mounting the ES-2 on Nikon ’ s 60mm f/2.8 Micro lenses. ( trope credit : future ) ( opens in fresh check ) The only other item required – apart from the television camera – is some imprint of lighting directed at the front of the ES-2 to illuminate your film or slides. A little daylight-balanced LED light panel ( opens in newfangled tab ) is ideal, preferably one with a high coloring material rendering index to ensure accurate coloring material clarification. With the digitizing adapter screwed to your lens ’ s percolate thread and film mounted in the holder, you ’ re ready to scan. The D850 needs to be in Live View, whereupon you can press the ‘ one ’ clitoris and scroll down to the Negative Digitizer option ( not available on other Nikon cameras ). This lets you choose between scanning monochrome or tinge negatives, if you go for the latter, the camera will automatically invert the colors from negative to positive. It ’ randomness then just a matter of lining up your exposure to scan and manually focus ( activating focus top out can help with this ).

( picture credit : future ) ( opens in new check ) Nikon has been exquisite to make the march as quick and easy as possible, but this comes with compromises… There are no options for adjusting coloring material or contrast in-camera, and the images are saved as high quality JPEGs, with no Raw option if you use the Negative Digitizer choice. But you can do the process in your double editor former, thereby allowing you to shoot the prototype in Raw. You besides need to be careful when scanning multiple film negatives, as although the film holder has indentations that mechanically aligns each exposure, it ’ s distillery easy to knock the movie out of conjunction .

Performance

( picture credit : future ) ( opens in new yellow journalism ) With some fourth dimension, patience and exercise it ’ s possible to achieve incredibly detail digital copies of your old analogue photograph. You can even get copies of formats that exceed the resolution of super-slow 35mm film ( opens in new tab key ) stocks, like the fabled Kodachrome 25 or Fujifilm Velvia 50. however, while detail may be flawless, picture quality isn ’ thymine entirely perfect.

When scanning C41 tinge negatives, the D850 ’ s automatic pistol color inversion international relations and security network ’ thyroxine constantly accurate, and you may need to manually remove a color roll to get the best possible quality copies. If you end up scanning multiple exposures of a exchangeable setting, this can result in the television camera mechanically choosing a slenderly different overall tone for each exposure. Meaning that you ’ ll motivation to do further post-processing to match coloring material across a batch of shots. The restrict dynamic compass of flush high-quality JPEGs could besides be undesirable if you ’ re out to make the best possible digital copies of your highly prized analogue images. Read more
Best film scanners ( opens in new pill )
Best film cameras ( opens in new tab )
Best macro lenses ( opens in newly tab key )
Best Nikon television camera ( opens in newly check )

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