REVIEW: DC’s Flashpoint Beyond #3

The Flash may have understood his stupidity and stopped himself from creating the Flashpoint paradox, so far for whatever rationality, that accursed timeline is back. While the Atlanteans and Amazons continue to tear each other arm from arm, Dr. Thomas Wayne works indefatigably to find the perpetrator who brought all these back to universe. To him, nothing matters more than letting his son live, and he is prepared to go to great lengths if the need arises. Written by Geoff Johns, Jeremy Adams, and Tim Sheridan with artwork from Xermánico, Mikel Janin, Romulo Fajardo Jr., and Jordie Bellaire and inscription by Rob Leigh, Flashpoint Beyond # 3 brings Superman and Batman together once more as the Clockwork Killer continues his unimpeded kill spree .
Flashpoint Beyond # 3 opens with the hope that the last son of a doomed planet gets to live on Earth. When the Kryptonian aircraft arrived on Earth, it missed Smallville and crashed right into the bustling city of Metropolis. Fast ahead some twenty years, Superman is standing before his liberator, Batman, whom he wants to show something. After an initial unilateral affray, Thomas wakes up in The Oasis, a safe haven created by Poison Ivy and Swamp Things for refugees and metahumans alike. There, Batman learns that the Kryptonians sent Kal-El to Earth to prepare the planet for an invasion led by his forefather, Jor-El. Elsewhere, a dim figure visits Gilda Dent in her cell, bringing her ill tidings .

relate : recapitulation : DC ‘s Dark Crisis # 2 man shoots at superman in an alley When you say something enough times, you start to believe it, and Thomas Wayne is no exception. To him, this timeline is like a fever dream, and everything happening inside it is inconsequent to his actual deputation of finding a speedster and turning back the clock. Flashpoint Beyond # 3 continues its cinematic storytelling manner, jumping from one shocking reveal to another as the pressure builds up to the threshold. The main plot revolves around the at hand danger with Super-Man trying to appeal to Batman ‘s better nature. The two are a far cry from the World ‘s Finest, but their hostile chemistry plays well in the context of the book, creating a cliff-hanging first interaction evocative of the versatile bouts they ‘ve had over the years. With respective narratives, each more black than the other, branching out into nameless directions, the bible continues to be steeped in mystery and tempt .

Some of the most talented comic book artists have banded together to provide the artwork of Flashpoint Beyond # 3, celebrating a dark timeline with the most capture pages. Xermánico ‘s chip lines and dynamic frame welcome readers to the book. From gore depicting large-scale death and end to tense scenes in dark alleyways, his expansive art brings out the naked emotions in the narrative. His collaborator on Infinite Frontier, colorist Romulo Fajardo Jr. brings life to the panels with his striking colors and strong tones that have no business looking indeed beautiful in a koran american samoa black as this. The final few pages feature the artwork of Mikel Janin and Jordie Bellaire, who shock and awe the hearing in the grandest manner possible .
refer : review : DC ‘s Batman ’89 # 6

Gilda Dent in Flashpoint Beyond #3 Flashpoint Beyond # 3 is a meandering floor with enough of expositions and surprise moments to keep the readers rooted in their seats in excitement. The triumvirate of Geoff Johns, Jeremy Adams, and Tim Sheridan has imbued the narratives with the twist department of energy of the Flashpoint populace, weaving an interconnected narrative where there is no visible line between the heroes and villains. meanwhile, the series seems to be more connected to the chief timeline than previously thought, alluding to events of the Dark Crisis and throwing references to the Hypertime, a concept created by Grant Morrison, Mark Waid, and others to differentiate from the Omniverse. As Bruce continues to prod into the timestream, Flashpoint Beyond # 3 continues to roll towards a bare and haunting future .

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