The Author’s Guide to Turning a Novel Into a… | NY Book Editors

Would you like to turn your fresh into a screenplay ?
Get comfortable. This is going to take a while.
Writing a script international relations and security network ’ t the same as writing a fresh. It requires a wholly different skill set. But fortunately, if you already have the endowment, mania, and inclination to write, you can acquire the necessity skills to write your own movie.
Let ’ s prima donna in.

Start By Answering This One Question: Will Your Novel Make a Good Movie?

Let ’ s be viciously honest hera : not every fib adapt well into a movie, and that ’ s not because the narrative sucks. Far to the contrary. Some stories are good experienced through read. An writer in his or her prime can write in such a manner that the reader is hanging onto every unmarried discussion.
In fact, most books are better than films just because it ’ s impossible to compete with the vivid resource of the avid reader.
But people silent love films. It ’ s a billion dollar industry, after all. And it ’ s not barely about the money. Filmmaking is besides a legalize art shape, as is screenwriting. While your screenplay may take a unlike path than your fresh, it can still be just as engaging to the veracious audience and your message can hush translate .

Here’s a list of 10 additional questions to answer before you decide to turn your novel into a screenplay.

10 QUESTIONS TO ASK BEFORE ADAPTING YOUR NOVEL INTO A SCREENPLAY
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Use the Right Tools

Let ’ s spill the beans about screenwriting software.
Can you use Microsoft Word or Google Docs to type your screenplay ? Sure.
Should you ? probably not.
It ’ south crucial that you format your screenplay correctly, specially if you ’ re plan to shop your screenplay around. Producers, directors, and actors all cringe at ailing formatted screenplays. not only will it make your screenplay look more professional, but correct formatting will besides make your screenplay easier to read and reference.
This is why you need to invest in a quality screenwriting software joyride. Screenwriting software will format your script automatically thus that you don ’ t have to fool around with yellow journalism or worry about setting indentations. It merely makes the whole work a lot easier when using the correct joyride.
here are a few screenwriting software tools to consider :

  • Final Draft
  • WriterDuet
  • Fade In

Learn the Mechanics of Screenwriting

While a screenwriting software instrument will help you with the format side of things, it ’ randomness important that you know the basics of writing a script.
Because filmmakers and moviegoers both expect a certain form of events from movies, many screenwriters digest by a popular formula known as the three-act structure. This structure breaks the script into three parts :

  1. Act 1 – The setup
  2. Act 2 – The confrontation where the protagonist must make a series of decisions
  3. Act 3 – The resolution

Acts 1 and 3 each take up approximately 25 percentage of the script. Act 2 takes up 50 percentage of the handwriting. For a more in-depth look at the three-act structure, check out this post on Elements of Cinema.
additionally, start reading other screenplays to get a feel for the structure and meter of a film script. here ’ s a good rate to start : The 50 Best Screenplays to Read and Download in Every Genre.
To learn more about screenwriting in general, check out this post from Writers Store for an introductory guide to screenwriting.

Re-Read the Novel

Turning a novel into a screenplay Before you actually start writing, re-read your novel so that it ’ s fresh in your heed. While you ’ re decidedly familiar with the fib, there may be some elements that you ’ ve forgotten and want to emphasize in your screenplay.
It ’ mho actually reasonably common for screenwriters to read a novel several times before deciding on the justly angle for a screenplay. Doing therefore can help you identify the heart, tone, and yard of your floor.
After reading through your novel, don ’ thyroxine rush to write. Let the story ride with you for a while thus that you can reflect on its themes, tone, and plot. You may need to change elements of the original story to make an apprehensible and enjoyable movie.

Choose the Main Storyline

Most novels are packed from brood to cover with a long ton of information that ca n’t possibly be condensed into a two-hour movie. When adapting your novel, focus on the top 10 scenes that define your floor from beginning to end. These are the scenes that can provide a condense but accurate idea of your fib and its root ( south ). Think of them as the skeleton of your fib. Your fib just wouldn ’ triiodothyronine make sense if you dropped one of these scenes.
After choosing these effect scenes, start to flesh out your story. How will you take the main characters, particularly the supporter, from scene one to scene 10 ? And while the external struggles are easy to identify, what internal struggles do your main characters have, and how can you best show this in your screenplay ?
Your screenplay is made up of a series of scenes where the characters should be doing something, not good thinking mutely while looking at a beautiful sunset. Every scenery you write should move your characters towards the adjacent core scenery of your narrative.

Keep an Eye on Timing

When writing your screenplay, keep an eye on time. The ideal screenplay is 120 pages or less .
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Remember that each page of your screenplay translates into about one infinitesimal of screentime. Your goal is to write two hours worth of message, which is approximately 120 pages. Some pages, particularly those with lots of dialogue, may entirely take alone 30 seconds. Others, like those with lots of action, can take several minutes to unfold.

Choose the Right Characters

When you ’ ra condensing your story into a screenplay, you may have to combine multiple characters to tell the best history. Don ’ t hesitate to do so. I know you love certain characters. I know you don ’ thymine want to kill them. But remember that your screenplay is a unlike beast than your novel, and you may need to tell the floor slightly differently. Give yourself license to do then.
For the characters that you do keep, ensure that each has an bow ( i.e. an inside evolution that the character takes during the report ) and that you complete their discharge within the screenplay. If you do not have space to complete a quality ’ south arch, that ’ s a tattletale bless that you need to either combine the character with another one or eliminate that character wholly.
Kill your darlings.
besides, invalidate adding besides many characters to your screenplay. Your viewers will thank you. Viewers simply can not invest as much time into your characters as your readers can, and so they ’ ll scram confused by a bloat shed of characters.
Trying to cram besides many characters into your screenplay can besides lead to shallow characterization and stereotypes.

Avoid Narration

You ’ ve written your novel in the first person, so it makes common sense to add narration to your screenplay. Hold on just a second.
Voice-over is over -used and over -rated.
While voice-over can work in some films, many founder screenwriters use voice-over as an easily room to sneak in “ writing ” alternatively of “ showing. ” Remember that a movie is a ocular feast. You must show what ’ s happening alternatively of telling what ’ s happening. Otherwise, your hearing will lose interest cursorily.
You can inactive rely on the narrator or supporter ’ s charge of view when writing your screenplay. Just consider the scene from their eyes, as if they ’ re holding the television camera. What do they see, hear, and feel ? Use ocular clues, such as the set up, facial expressions, and part tones to tell the wide narrative.

Edit the Screenplay

edit is a fact of biography for all writers— novel writers and screenwriters. When adapting a novel into a screenplay, you ’ ll indigence to edit a lot. You ’ re whittling down a 200+ page novel into a 90-120 page screenplay. This requires you to cut out and rearrange american samoa much as potential.

Click here to download a list of 10 questions to ask before adapting your novel into a screenplay.

10 QUESTIONS TO ASK BEFORE ADAPTING YOUR NOVEL INTO A SCREENPLAY
here are 10 questions to ask yourself before adapting your novel into a screenplay. Subscribe to receive this extra resource .
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Avoid Directing

Turning a novel into a screenplay Screenwriting international relations and security network ’ t the lapp thing as conduct.
In your screenplay, don ’ t add television camera directions such as, “ television camera pans into face. ” The director is the one who decides television camera angles. rather, describe the scenery. Show what you ’ re learn, but don ’ t make decisions for how the director will shoot the scene.

Go Forth and Make Your Movie

Have the pipe dream to adapt your book into a history, but don ’ deoxythymidine monophosphate know the right people ?
Movies are n’t barely for Hollywood.
If you think your record is movie fabric, you do n’t have to wait for a large shot producer from Hollywood to come a-calling anymore. Some creatives with the love and vision to see their words in action can turn from writer to filmmaker. Just like self-publishing is a thing, you can besides produce and show your own film in an actual movie dramaturgy or on-line. here ’ s more information from No Film School on how to show your movie in theaters.

Over to You

We want to hear from you. Would you like to turn your novel into a screenplay ? Let us know in the comments below.

Don’t forget to download this list of best practices for editing your screenplay.

10 QUESTIONS TO ASK BEFORE ADAPTING YOUR NOVEL INTO A SCREENPLAY
here are 10 questions to ask yourself before adapting your fresh into a screenplay. Subscribe to receive this extra resource .
Leave this airfield blank
First Name

Email

No spam. Unsubscribe anytime .
Thank you !

Download your bonus capacity :
download
love !

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