CrispyTuner manual | CrispyTuner

CrispyTuner manual


This manual serves as a detailed mention for all of the CrispyTuner ’ randomness features. If you want to start using the program adenine cursorily as possible, we recommend you to read the promptly start guidebook and come back here late for more in-depth information .Quick start guide ever since its invention in the belated 1990s, vocal music tune has played an integral function in music production. Its usage has become so wide-spread that these days, a vocal tune plugin can ’ triiodothyronine be missed in any musician ‘s repertory.

The CrispyTuner provides an intuitive and low-cost way to apply vocal tuning to your tracks – no count if you ’ re a professional musician or a hobbyist who ’ south equitable starting out. It allows anybody to set up industry-standard vocal tuning in no time, even without any prior cognition in the area. Thanks to its brawny live mode, it is equally suitable for live performances as it is for post-processing of commemorate vocals. You can hear yourself with the effect applied while recording a song or rocking the stage, which allows you perform in confidence without having to worry about pitch insecurities.


The CrispyTuner and ScaleFinder are distributed with an installer that guides you through the initiation process. It allows you to select the formats in which you want the circuit board to be installed, i.e. VST3 and AU ( macOS lone ). If you know which circuit board format your DAW supports, you can disable the others, but if in doubt, good leave them all checked during initiation. The installer besides installs a ReWire device – this is required for the CrispyTuner ’ s graphic manner to be adenine user-friendly as possible. When opening the CrispyTuner or ScaleFinder for the first base time, you will be asked to enter your license key. Your license key was displayed to you on the web site when you bought the product, and in an e-mail that was sent to the address you provided. After energizing, you won ’ thymine be asked for the license key again on this device !


First of all, add the CrispyTuner circuit board to an audio track in your DAW. The CrispyTuner should always be the first circuit board in the effect chain, as it works best on an unmodified audio signal. We highly recommend you to enable input monitoring in your DAW so that you can hear yourself while recording with the vocal tune applied ; this makes performing much more satisfy, and allows you to explore the different sounds you can achieve with the CrispyTuner more well. The CrispyTuner alone processes monophonic stimulation, therefore stereo tracks are tuned by taking the average of the two channels as the input signal signal .Logic Pro track with the CrispyTuner The CrispyTuner on a track with input monitoring enabled

The basics of vocal tuning

vocal tuning works by measuring the lurch of your spokesperson, and then correcting it towards the closest note on the song ‘s scale. consequently, it is critical that you set the correct scale when using the CrispyTuner, so that all the output notes fit the song and nothing sounds false. If you do n’t know the song ‘s scale, you can use the ScaleFinder to mechanically detect it. This makes it easy to get started good away .ScaleFinder manual The transition time and tightness settings allow you to adjust how strongly the CrispyTuner corrects the pitch of your voice towards this scale, allowing you to specify how impregnable the song tune effect is.

User interface

Navigation bar

At the top of the drug user interface, the seafaring bar shows you some general settings that allow you to use the CrispyTuner in different ways .CrispyTuner Navigation Bar The navigation barroom with simple mode and alive mode enabled

Operating mode

The CrispyTuner ’ s user interface is divided into three operating modes, which each provide a different way of controlling the vocal music tune. The operate mode can be chosen in the center of the navigation bar. These operating modes are explained in contingent late in this document.

Live/mixing mode

The CrispyTuner is optimized to work in a live environment ampere well as when mixing songs in the studio. To fit your use-case arsenic well as possible, you can switch between live and mixing mode in the proper half of the navigation browning automatic rifle. When you want to hear yourself with no latency, e.g. while recording or performing alive on stage, enable exist mood. When you have a record outspoken racetrack that you want to tune, switch to mixing mode – this will introduce some rotational latency, but gives a slightly better sound.

Quick help

At the very right of the navigation bar, you can toggle quick help. When enabled, hovering over any part of the user interface shows a tooltip explaining the feature and how to use it. This is helpful for both new and existing users, as it allows you to cursorily get an explanation without having to consult this manual.

Global settings

Some settings are relevant to all operate on modes. These can be found at the bottom of the drug user interface .Global Settings Panel The global settings

Global tuning

Reference pitch (A4)

Specifies the citation frequency of the musical note A4. For the CrispyTuner to produce absolutely tuned vocals, this set must match the tune of the instruments used in your song. 440hz is the most common tune in modern music. When in doubt, leave it at that respect.


Shifts the pitch of the output signal by the given come. This can be used to well transpose the signal, or to detune it for artistic purposes. A coarse use case is to slightly detune backing vocals to get a richer vocal sound.

Note tolerance

By default, the CrispyTuner constantly tunes the stimulation signal towards the closest allow note on the keyboard. sometimes, this can be undesirable, for example when a singer ’ mho pitch drifts off for a very short time even though they intended to stay on the like note. The be two settings, located in the lower right corner of the GUI, allow you to specify thresholds that make the CrispyTuner less eager to change prey note – the new note is only chosen when both criteria are met.

Time tolerance

The duration for which a note must be held to be chosen as the CrispyTuner ’ s new target note. Higher values are more forgive for short lurch insecurities, while lower values may result in undesirable note transitions.

Pitch tolerance

How much closer the input gear must be to a note for it to be chosen as the new target eminence. For example, if this value is set to 10ct and the presently held note is an F, the input pitch would need to be 10 cents closer to an F # than to an F for the output note to change.

Simple mode

The childlike mode shows only the most crucial of the CrispyTuner ‘s settings. This makes it easy to get started without being overwhelmed by besides many options. It highlights the two elementary steps you need to take to get outspoken tuning set up promptly .5ef99ff33046b6ce1c5ac237 SimpleMode simple mode


As explained in the introduction, it is all-important that you set the correct scale. This lets the CrispyTuner know which notes it should tune your vocals to, and which notes to avoid. You can do this by choosing the root key and scale from the respective drop-downs above the keyboard display.

You can besides click individual notes to toggle them. disabled notes are grayed out on the keyboard, indicating that the CrispyTuner wo n’t tune the spokesperson to them. When tuning the signal, the current output note is highlighted blue .Keyboard key state demonstration Enabled vs. disabled keys


The Simple Mode offers a tuning knob that allows you to cursorily adjust the overall force of the vocal tune. Setting this to a faster prize by turning it to the veracious results in a stronger vocal music tune effect, while slower values produce a more elusive consequence. internally, this set modifies both the transition time and tightness, which can be adjusted individually in advance mood .Tuning Knob The tune node

Advanced mode

Advanced modality contains the lapp settings as bare mode, but gives you more options to fine-tune the legal of the vocals. It besides allows you to apply creative effects to your voice, like formant shifting or transposing .5ef99ff3b575ba419efc99c3 AdvancedMode Advanced manner

Transition time

How quickly the output signal pitch jumps to the newfangled note after a note deepen. fast values result in sudden pitch changes, which may be a desire creative effect. Slower values make the outspoken tuning effect less noticeable during notice transitions .Visualization of Transition Time values The effect of different transition time values on the sales talk curve


During a hold bill, meanness is how closely the output gear is kept to the current target note. Faster values result in a flat pitch curve, without much deviation from the target note. Slower values allow for more mutant in the output sales talk, giving the singer more expressive freedom and making the vocal tuning effect less obtrusive .Visualization of Tightness values The effect of unlike meanness values on the pitch curve

Correction amount

How much of the determine pitch wind is actually applied to the output pitch.
Setting this to 0 % disables all pitch correction, while setting it to 100 % amply uses the cant curve determined by other settings like transition time and constriction.

Scale transpose

Transposes the vocals by a given sum of steps on the scale. This ensures that the resulting melody is inactive in the same key as the original melody. For exercise, when transposing by 2 steps on the C major scale, an A would be changed to a C. This feature can be used to promptly create vocal harmonies.

Formant preservation

How much of the spokesperson ’ s original formants to keep when correcting the cant up or down. Setting this to lower values makes extreme point pitch corrections more audible, as the key is affected more. This can be useful when an audible vocal tuning effect is desired, as it emphasizes fast note transitions evening more.

Formant shift

Shift the formant, making the voice good higher or lower without affecting its pitch. Shifting the formant up results in a chipmunk-like voice effect, while shifting it down makes the spokesperson sound deeper.


In advanced modality, the whole keyboard spanning all octaves is shown. When holding Shift while clicking on a key, you toggle the respective notice ‘s legality lone on that octave.

Pitch detection range

The iniquity overlay over the keyboard narrows down the range in which the CrispyTuner detects the pitch of the stimulation signal.
Setting this range based on the peddle of the expected input sign helps the pitch signal detection algorithm yield better results.
Drag the edges of the dark area to adjust this range.
Pitch Detection Range Demo Changing the pitch signal detection range

Pitch meter

The sales talk meter shows the CrispyTuner ‘s current target note, i.e. the note that the pitch is being corrected towards.
The browning automatic rifle beneath the target note indicates how much correction is presently being applied to the input signal signal.
Pitch Meter The pitch meter

Graphical mode

The graphic mode records the pitch correction applied to the input sign, creating note objects that you can manipulate to your heart ’ south desire. This gives you fully see over the pitch curvature, allowing you to tune your vocals precisely how you want.
The graphic manner is designed to process recorded vocal tracks. It is not desirable for bouncy tuning, consequently mixing manner is mechanically enabled when switching to graphic mode.
To get started, put the CrispyTuner on the song track that you want to tune, switch to graphic mood and play the audio track in your DAW. The CrispyTuner will then create note objects for every separate target notice that it determines, each of which can be individually manipulated late on.
When creating note objects, the graphic mood uses the settings you made in simple/advanced manner to tune the signal. This includes the scale, transition time, stringency, discipline come and formant shift.
5ef9a31601f3d9225447f265 GraphicalMode graphic mode

ReWire setup

To allow you to click on the timeline to move the playhead, a ReWire device is required. If ReWire isn ’ thymine set up correctly, a text saying “ ReWire not available ” will appear on the timeline.
In most DAWs that support it, ReWire should work out of the box.
Some DAWs, like Logic Pro X, may require you to enable ReWire in the settings and restart the DAW.
early DAWs, such as REAPER, require the CrispyReWireDevice to be inserted in the plugin chain for ReWire to work in the CrispyTuner.
Please refer to your DAW ‘s manual for more data on how to properly set up ReWire devices.
If your DAW does n’t support ReWire, do n’t worry – you ‘re only missing out on a convenience feature, the CrispyTuner is still fully functional !


The area in which the pitch bend and bill objects are displayed is called the graph view. To cursorily move the visible area of the graph view, hold down the middle mouse button while dragging horizontally or vertically.
To zoom in, hold the Ctrl keystone ( Cmd on macOS ) and use the scroll roulette wheel with the mouse over the graph view. You can besides use the +/- keys to zoom in and out.
You can use the scroll wheel to scroll vertically. When holding Shift while scrolling, you scroll horizontally alternatively.
You can besides navigate using the scroll bars at the bottom and right of the graph view. The scroll bar at the bottom shows the waveform of the record audio in the background for easier orientation. You can zoom in and out by dragging the corners of these coil bars.

Note objects

Note objects control the tuning properties of a segment of the lurch curve. You can click on a note object to select it. To select multiple note objects, cluck external of a note object and drag the mouse across all note objects that you want to select.
When a bill object is selected, you can use the leave and right arrow keys to select the previous/next note aim.
Three Note Objects, the middle one selected Three note objects, the central one being selected When one or multiple note objects are selected, you can edit their properties in the sidebar on the right of the screen.

These are the properties you can modify for each note object :

Target note

The eminence that the notice aim is centered on. The value at the start and end of the notice object can differ, creating a pitch slope. Dragging the start value besides modifies the end value accordingly, while modifying the end respect alone changes the end prize.
Creating a slope is rarely needed, but it can be used to achieve alone portamento effects.
Target Note Properties Target eminence propertiesNote Object with Pitch Slope A peddle gradient


Affects the strength of the pitch correction applied to the notice object. The effects of transition fourth dimension, tightness and correction sum on the pitch crook are explained in the section covering the promote mode.
Pitch Correction Properties correction properties


Allows you to add synthetic vibrato to a note object. This can be used for naturalistic vibrato angstrom well as for crazy creative effects.


Whether the synthetic vibrato is enabled. By nonpayment, it is enabled but doesn ’ metric ton have any effect, because the nonpayment amplitude is zero. Allows you to cursorily toggle the vibrato without having to change the amplitude.


The vibrato ’ sulfur human body. The sine wave yields results that sound the most human, but early shapes like the square or saw wave can be used creatively for matter to effects.


The maximal deviation that the vibrato will add to the pitch crook, in cents.


The focal ratio of the vibrato. Higher values result in a fast vibrato.


The meter before the vibrato starts on that note object.


The prison term before the end of the notice object at which the vibrato break.


The duration over which the vibrato is faded in.


The duration over which the vibrato is faded out.
Vibrato Properties Vibrato propertiesNote Object with Vibrato A note object with synthetic vibratoFormat Editing Mode Icon

Formant editing mode

The F button in the amphetamine entrust corner allows you to switch from the default option note editing mode to formant editing mode. In this mood, you work on formant objects alternatively, allowing you to manipulate each aim ’ randomness formants individually.
In formant edit mood, the formant curve is rendered in whiten on top of the lurch curvature, showing how formants deviate from the output pitch.
You can besides use the F key to switch between note editing and formant edit.
Three Formant Objects, the middle one selected Three formant objects, the cardinal one being selected In formant edit mode, selecting one or multiple formant objects allows you to edit the take after properties :

Formant shift

The effect of formant shift is explained in the part about advance mode.
The value at the start and goal of the formant object can differ, creating a slope. Dragging the start value besides modifies the end measure accordingly, while modifying the end value only changes the end value.
Formant slopes can be used to create interesting effects where the spokesperson color changes during a note.
Formant Shift Properties Formant chemise propertiesFormant Slope A Formant slope

Formant preservation

The effect of formant conservation is explained in the segment about advanced mood.
Formant Preservation Properties Formant preservation properties


Has the lapp properties as in note editing mood, but the vibrato is applied to the formant alternatively.
The graphic mode gives you different tools to modify note and formant objects more efficiently. These tools can be selected from the toolbar above the graph view.
You can besides use the act keys 1 – 7 to promptly select a instrument.
Toolbar The toolbarDrag Tool Icon

Drag tool

Drag notice objects up or down to change their target eminence.
When holding Shift while dragging, you can finely adjust the pitch without snapping to semitones.
Drag the edges of note objects to move their boundaries.
In formant edit mood, dragging a formant object up or down changes its formant shift.
You can besides use the up/down arrow keys to change the target bill of selected note objects.
When holding Shift, you can prevent it from jumping only to notes that are allowed on the scale.
These hotkeys do not require the drag tool to be active.
Drag Tool Demo The drag joyride in actionTarget Note Tool Icon

Target note tool

Click and drag horizontally to change the target note of all eminence objects in the rate.
When holding Shift while dragging, you can prevent the horizontal range from snapping to the boundaries of nearby note objects.
In formant edit mode, this tool affects the formant stir of the formant objects in range.
You can besides use the M samara to move selected note objects to the position of your cursor.
This hotkey does not require the target note tool to be active.
5ee175c306d3a846ae815edc docs ct manual target note tool demo The target note tool in actionSlope Tool Icon

Slope tool

Drag a note aim ’ s left or right edge up or down to change the target note only at its start/end, creating a slope.
When holding Shift while dragging, you can finely adjust the pitch without snapping to semitones.
When multiple note objects are selected, holding Alt while dragging creates a continuous slope across all selected objects.
In formant edit mode, dragging the edges of a formant object creates a gradient in its formant fault.
Slope Tool Demo The slope tool in actionTuning Tool Icon

Tuning tool

Drag up/down to increase/decrease the transition time and tightness of selected note objects.
In formant edit mode, the formant conservation is modified alternatively.
Vibrato Tool Icon

Vibrato tool

Drag up/down to change the vibrato amplitude of selected note objects. Drag left/right to change the vibrato frequency.
In formant edit mode, the formant ‘s vibrato is modified rather.
Vibrato Tool Demo The vibrato creature in natural processSplit Tool Icon

Split tool

Clicking a note object splits it into two objects at the location of the cursor.
You can besides use the T key to split objects into two at the placement of the cursor.

This hotkey does not require the rip tool to be active.
Glue Tool Icon

Glue tool

Clicking a note object merges it with an adjacent note object to the correct. If multiple note objects are selected, it merges all of them into the one that was clicked.
You can besides use the G key to glue objects together at the location of the cursor.

This hotkey does not require the glue tool to be active.
Undo/Redo Buttons

Undo/redo nutton

The undo button undoes the most holocene exchange to the note and formant objects. The remodel button redoes the most recently undone deepen.
You can besides use the Z key to undo the most late change.

To redo, hold Shift while pressing Z.
Delete Button

Delete button

Removes all selected note objects, allowing you to re-scan a dowry of the sound recording. If no objects are selected, it clears the entire graph.
You can besides use the Delete key to remove all selected objects.

Hotkey cheat sheet

These are all the hotkeys available in graphic mode :
f Toggles formant editing mode. 1-7 Selects a tool. thyroxine Splits note objects at the place of the cursor. gigabyte Glues note objects to the object at the position of the cursor. megabyte Moves all selected note objects to the note at the position of the cursor. A Selects all note objects. Shift + A Deselects all note objects. Delete Removes all selected note objects. z Undoes the previous legal action. Shift + Z Redoes the previously done for action. + Zooms in. – Zooms out. ↑ Moves the selected note objects up one step on the scale. Hold shift to move by one semitone, disregarding the scale. ↓ Moves the choose note objects down one step on the scale. Hold shift to move by one semitone, disregarding the scale. ← Selects the previous bill object. Hold shift to add to the current choice. → Selects the next note object. Hold shift to add to the current choice. Spacebar Starts/stops playback in the DAW.


If you have any questions, check the FAQ – chances are they ’ ve already been answered there ! If you ’ re still left with questions, don ’ thyroxine hesitate to contact us. We ’ ll be more than happy to help !
We wish you a lot of joy with the CrispyTuner, and can ’ deoxythymidine monophosphate wait to hear the amaze music you ’ ll create with it. As always, stay tuned 😉

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