Pan and zoom clips in Final Cut Pro

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Pan and zoom clips in Final Cut Pro

The Ken Burns effect creates a pan and rapid climb effect using the begin and conclusion positions you define. The Ken Burns effect is actually a Crop effect with two crop settings, one at the clip start and another at its end. You can far customize the Ken Burns consequence by controlling the smoothness of the animation. The motion applied to a snip when you create a Ken Burns effect is automatically smoothed so that the movement accelerates lento as the animation starts, and decelerates lento as the cartridge holder comes to rest at the end of the animation. This simulates the effects of friction and inactiveness that occur in the real world. In ocular effects software, this whoremaster is normally called ease out and ease in. By default, a Ken Burns animation performs both of these smoothing operations ( Ease Out and Ease In ), but you can customize the impression to limit the leave to just easing out, just easing in, or making a linear movement with no model inertia or friction .

Adjust the Ken Burns effect

  1. Select a nip in the Final Cut Pro timeline.
  2. position the playhead over the clip in the timeline so that the clip ’ second video is displayed in the viewer .
  3. To access the Ken Burns controls, do one of the surveil :
    • Click the pop fly menu in the lower-left corner of the spectator and choose Crop ( or press Shift-C ) .The Crop menu item for accessing the Trim, Crop, and Ken Burns controls
    • Control-click in the spectator and choose Crop .
  4. Click the Ken Burns button at the bed of the viewer. Two rectangles appear in the viewer : a fleeceable one that defines the position and size for the start of the clip and a loss one that defines the status and size for the end of the cartridge holder .The viewer showing the Ken Burns effect onscreen controls The default start and end settings result in a little soar to the center of the image .
  5. To choose the separate of the image that appears at the start of the impression, drag the park handles to change the crop size of the visualize, and drag the window to set its position .
  6. To choose the part of the double that appears at the end of the effect, drag the crimson handles to change the crop size of the image, and drag the window to set its position. A layered arrow shows the guidance the effigy travels when the clip is played .
  7. To have the clip with the effect maneuver in a loop, click the Play Loop button .
  8. To exchange the start and end positions, click the Swap button .
  9. Click Done.

Customize the smoothness of a Ken Burns animation

By default option, a Ken Burns animation performs both smoothing operations ( Ease Out and Ease In ), but you can customize the impression .

  1. In the Final Cut Pro timeline, select a snip with the Ken Burns effect enabled .
  2. status the playhead over the clip in the timeline so that the clip ’ second video recording is displayed in the spectator .
  3. To access the Ken Burns controls, do one of the follow :
    • Click the pop fly menu in the lower-left corner of the spectator and choose Crop ( or press Shift-C ) .
    • Control-click in the viewer and choose Crop .
  4. Click the Ken Burns release at the bottomland of the spectator. Two rectangles appear in the spectator : a green one that defines the placement and size for the start of the clip and a red one that defines the position and size for the end of the clip .
  5. In the spectator, Control-click anywhere in the image and choose an option :
    • still In and Out : Applies the easing effect to the begin and the end of the vivification .
    • ease In : Limits the easing effect to the conclusion of the animation .
    • ease Out : Limits the easing effect to the begin of the animation .
    • linear : Removes all ease effects.

    The viewer showing the Ken Burns controls and a shortcut menu with options for smoothing the Ken Burns effect

Tip: Use the Crop effect and average keyframes to create a Ken Burns–style effect that follows a more complicated path. For details on working with built-in effects, see ferment with built-in effects in Final Cut Pro. Download this guide: Apple Books | PDF

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