personal History of Jim Lee is nameless.
Reading: Jim Lee
Jim Lee ( born August 11, 1964 ) is a korean american comic book artist, writer, creator and publisher. He is known for his conventionalized, detailed and dynamic vogue and is one of the more democratic artists in american comics. He has received a capital consider of recognition for his work in the industry, including the Harvey Special Award for New Talent in 1990 .
early liveliness and career
Lee was born in Seoul, South Korea, but grew up in St. Louis, Missouri. Lee ‘s St. Louis Country Day School classmates predicted in his senior annual that he would found his own comic book company. But, initially, Lee seemed resigned to following his forefather ‘s career in medicine. Lee attended Princeton University and majored in psychology with the purpose of becoming a medical repair. An elective course course in Fine Arts reawakened his love for drawing ; he graduated in 1986, putting checkup school on hold to attempt a career in comic book exemplification. After inking entirely the screen of Samurai Santa # 1 for a belittled, mugwump publisher, Lee found achiever at the largest north american english comic strip publisher, Marvel Comics, as a penciller. His early Marvel work included Alpha Flight and Punisher War Journal .
rise to fame on X-Men
In 1989 Lee filled in for regular penciller Marc Silvestri on Uncanny X-Men # 248 and did another guest stint on issues # 256 through # 258, finally becoming the serial ‘ ongoing artist as of # 267 when Silvestri left. During his stretch on Uncanny Lee first worked with inker Scott Williams, who would become a long-time confederate .
Lee ’ randomness artwork cursorily gained popularity in the eyes of enthusiastic fans, which allowed him to gain greater creative control condition of the franchise. In 1991, Lee helped launch a second X-Men series just called X-Men, not lone as the artist, but besides as co-writer with long-time X-Men copyist Chris Claremont. They created Gambit aka Remy LeBeau. Lee besides designed new uniforms for characters such as Cyclops, Jean Grey, Rogue, Psylocke and Storm, creating the images that an integral generation of X-Men readers would associate with the characters. He besides co-created the once-popular character Omega Red with John Byrne. X-Men # 1 inactive is the best-selling comic book of all-time with sales of 8 million copies of the beginning exit, although multiple purchases of variant covers illustrated by Lee accounted for depart of the sales craze. however, Lee ran into some creative hurdles. Claremont found it harder to work with Lee as their vision of the characters and storylines diverged. There was a drawn-out power fight over the future of the X-Men and in the end, Marvel X-Men editor program Bob Harras favored the wildly popular Lee, causing Claremont to depart the new X-Men serial with issue 3. Despite this, Claremont and Lee later reunited on respective projects and are reportedly on friendly terms. Claremont and Lee even engaged in a reciprocal interview for Wizard magazine in 1995 .
effigy Comics and Wildstorm, and revert to Marvel
In 1992, Lee was one of seven artists who broke away from Marvel to form Image Comics. Lee ‘s group of titles was christened Wildstorm Productions and published Lee ‘s pet entitle WildC.A.T.s, which Lee penciled and co-wrote, and other serial created by Lee sharing the same “ universe ”, but with a minor implication of the artist in his production. The other main series of the initial years of Wildstorm, with characters created by Jim Lee and with a minor engagement of the artist in his production were Stormwatch ( Lee was co-plotter of the beginning 8 issues and cover artist for the 3 first issues ), Deathblow ( pencils for about 30-40 pages of the firsts chapters, and plots and covers for the first 12 issues ongoing series ) and Gen¹³ ( co-plotter for about 3 years and penciller of 2 issues ). late, early ongoing series of the same population were launched with small to none engagement of Jim Lee in his production, like Wetworks ( created by Whilce Portacio, but sharing the Wildstorm Universe created by Jim Lee ), DV8 ( a Gen13 by-product ), Backlash ( a solo championship of a StormWatch character ) or Grifter ( solo title for a main WildC.A.T.s character ), and several mini-series, most notably Team 7 ( that ties together characters from WildC.A.T.s, StormWatch, Gen13, Deathblow and Wetworks ). Like most Image properties, these series were criticized for high levels of violence ( although they were no more violent than the usual Marvel or DC comic at the time ), intimate references, and for emphasizing flashy art over storytelling. Despite such claims, Lee ‘s stable of titles sold well, frequently exceeding a million copies per calendar month in the early going, charting new highs in sales from an independent publisher .
As publisher, Lee late besides expanded his comics course creating two publishing imprints of Wildstorm, Homage and Cliffhanger ( that years by and by merged and were replaced by a individual Wildstorm Signature imprint ), to publish creator-owned comics by some selected creators of the US comics industry. initially, Homage was a more writer-driven imprint, debuting with Eisner Awards winners Strangers in Paradise and Kurt Busiek ‘s Astro City. Cliffhanger was initially an artist-driven imprint, created to publish the works of three young “ hot artists ” of the fourth dimension, J. Scott Campbell ‘s Danger Girl, Joe Madureira ‘s Battle Chasers and Humberto Ramos ‘ Crimson, three series that were clear sellers for the industry. Lee and Rob Liefeld, another Marvel-illustrator-turned-Image-founder, returned to Marvel in 1996 to participate in a boot of several classic characters ; the project was known as Heroes Reborn. While Liefeld reworked Captain America and The Avengers, Lee plotted Iron Man and wrote and illustrated The Fantastic Four. Lee managed to catapult Fantastic Four and Iron Man to the top of the sales charts, although fan reaction to this vamp of such well-known characters was mix. Halfway through the stick out, Liefeld was fired from the undertaking ( hapless sales – relative to Lee ‘s output – were cited ) and Lee ‘s studio finished all four serial. At the end of the annual distribute, Lee and Marvel agreed to pass the books over to other creators. Lee then concentrated in the Wildstorm line, attempting to break away from the pigeonhole of Image comics as all stylus and no meaning by publishing critically acclaimed series ‘ The Authority and Planetary. In publishing Alan Moore ‘s America ‘s Best Comics line, Wildstorm brought arguably the metier ‘s most critically applaud writer back into mainstream publication after about a ten of autonomous work. Lee himself wrote and illustrated a 12-issue series called Divine Right, in which an internet slacker unwittingly manages to download the secrets of the universe, and is thrown into a crazy illusion world .
affect to DC Comics
In belated 1998, however, Lee left Image Comics and sold Wildstorm to DC Comics. Lee ‘s career as a publisher had by and large precluded art jobs and he desired to return to his roots as an illustrator. In 2003 he collaborated on a 12 issue run on Batman with writer Jeph Loeb that became a runaway sales achiever ( examine Batman : hush ). This was followed by a year ‘s least sandpiper on Superman ( see For Tomorrow ), with writer Brian Azzarello. In 2005, Lee teamed with Frank Miller on the fresh series All Star Batman and Robin, the Boy Wonder.
Lee continues to run the company he founded, working side by side with new artists. celebrated erstwhile WildStorm artists include J. Scott Campbell and Travis Charest. In September 2006, Jim Lee returned to WildC.A.T.s with Grant Morrison as the writer. Lee plans to pencil both WildC.A.T.s and All Star Batman and Robin, completing an issue of each every 6 weeks, as Lee claims he will not leave the Batman title until Frank Miller has finished his run on the serial. He besides drew surrogate cover art for the Infinite Crisis series. It has besides been announced that Jim Lee will be involved with the approaching DC Comics MMORPG as Executive Creative Director. intense winnow speculation surrounds the announcement in 2004 that Lee might team up with fabled comic writer Alan Moore for a project titled Comet Rangers, although it appears stream commitments may have postponed or canceled this undertaking .
( In all the comics listed, Jim Lee did all the interiors, except where noted )
- Darker Image (Image, 1993) & Deathblow #1-2 (Image/Wildstorm, 1993). Lee draws three short stories featuring the character Deathblow, in a Sin City-like style.
- Gen 13 #6-7. A 2-issue story set in Italy (later collected in a Gen 13: European Vacation prestige one-shot), country that Lee visited previously as guest in a comic convention. Later in his career, Lee lived several months at Italy.
- WildC.A.T.s/X-Men : The Silver Age (Marvel/Image, 1997). Second of four one-shots crossover between WildC.A.T.s and the X-Men, each one in a different moment of their history (The Golden Age, The Silver Age, The Modern Age & The Dark Age). This isse is a Grifter and Jean Grey story, set in the early years of the original X-Men (when the team was Cyclops, Beast, Angel, Iceman and Jean Grey), with Nick Fury as a guest star.
- StormWatch #47 (Image/Wildstorm, 1997). During the Warren Ellis run in the title, Jim Lee drew a stand-alone story using only splash-pages, trying to bring attention to the series (little after, the series was relaunched with as StormWatch Vol.2 #1).
- Flinch #1 (DC/Vertigo, 1999). Lee drew an 8-page short story, where works in a new and more “clear” style, that later was used in the flasbacks scenes in his Batman: Hush storyline.
- Just imagine Stan Lee with Jim Lee creating Wonder Woman (DC Comics, 2001).
- Coup d’etat: Sleeper (DC/Wildstorm, 2004). With writer Ed Brubaker. First of a 4-part “event” in the Wildstorm Universe.
- No special notes.
- No trivia.
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