SCREENRANT VIDEO OF THE DAY
Shang-Chi starts the movie as a park valet but, after being attacked by the criminal Ten Rings organization, he ‘s forced to confront and embrace elements of his past. While much of the film features legal action based around Shang-Chi ‘s hand-to-hand fight with members of the Ten Rings, the climax introduces a number of fabulous creatures as the heroes travel to the greenwich village of Ta-Lo in an understudy dimension. There, Wenwu attempts to open the Gate, a portal site to another, evil dimension filled with demonic beasts. After the Gate is breached, Shang-Chi fights the Dweller-in-Darkness, a atrocious animal, and the villagers of Ta-Lo face off against demonic soul eaters .
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In an impressive new slice of concept art, artist Jerad S. Marantz reveals an alternate freak design that did n’t end up making the final cut of the movie. It ‘s unclear if the concept art represents an surrogate front for the Dweller-in-Darkness or if the design was intended for one of the demonic soul eaters alternatively, but the freak depicted features a chilling, bone-like boldness and a body that splits into multiple tails. Check out the concept art below :
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Read more : Extrembiote (Earth-616)
The creature that Marantz presents is perceptibly scarier than the one that Liu ‘s Shang-Chi fights against in the climactic battle, potentially hinting that the sequence may have, at one point, been conceived as something much dark in tone. With the presentation of demonic beings into the earth of the floor, Shang-Chi and the Legend of the Ten Rings likely had dozens of concept drawings that did n’t end up making the concluding cut. Although concept art is an authoritative separate of pre-production for many films, it ‘s particularly important for VFX-heavy productions like the ones in the MCU, with creature, character, and set designs much going through multiple iterations before one is decided upon for the final cut .
The introduction of the MCU’s first asian superhero was a major step forward for the franchise, as was the film ‘s exploration of aspects of chinese culture. While much of the movie is lighter in tone, the concept art hints that the demons Shang-Chi fights against were about much scarier. With most of the criticism of Shang-Chi and the Legend of the Ten Rings being centered around the film ‘s effects-heavy third act, the introduction of a much scarier soul-eating freak, like the one from Marantz ‘ concept artwork, surely would’ve drastically changed the tone of the battle .
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Read more : Extrembiote (Earth-616)
source : Jerad S. Marantz