Is ‘Star Wars: War of the Bounty Hunters’ better as a bingeable trade paperback?

Star Wars fans have long asked why the Rebels waited months to go after Han Solo after he was captured by the amplitude orion Boba Fett on Jabba the Hutt ’ sulfur orders. finally, we get an answer in Star Wars: War of the Bounty Hunters — the five issue ( six, counting the alpha consequence ) miniseries from Star Wars comic veteran Charles Soule, artist Luke Ross ( with help from David Messina and Steve McNiven ), and tinge artists Neeraj Menon and Guru-eFX ( with assistant from Laura Martin ). SPOILERS AHEAD for Star Wars: War of the Bounty Hunters! Listen to the latest episode of our Star Wars podcast, Talkin ‘ Tauntauns !

Touted by Marvel Comics as their biggest crossing event in the Star Wars universe, War of the Bounty hunters had eminent expectations but was released with more marketing ostentation than actual exhilaration from fans. As person who read the individual issues as they released, however, I had a pilfer misgiving that this breakneck-paced gamble might read much better in a craft paperback shape that allows for binge-reading alternatively of waiting a calendar month ( sometimes farseeing ) between each book. With the release of the War of the Bounty Hunters deal paperback book I ’ ve been able to test my suspicion, and, deplorably, I was wrong. even in trade format, War of the Bounty Hunters is an overhyped, overstuffed, and ultimately forgettable event that serves more as a apparatus for future stories than a meaningful expansion of Han Solo, Boba Fett, or the Rebels ’ stories. This gather edition begins with the best write out of the entire series : War of the Bounty Hunters: Alpha # 1, written by Soule with art by Steve McNiven and colors by Laura Martin. McNiven ’ south fabulously detailed so far stylistically progressive art is an absolute endow to the Star Wars population, while Martin ’ s colors give the smuggler ’ s moon of Nar Shadda the perfect assortment of plangency and dirty. Each page is a ocular joy that leaves you lingering retentive after you ’ ve read all the words, and the frantic action sequences are some of the best we ’ ve seen in Star Wars comics frankincense far.

From a plot perspective, Alpha # 1 picks up right where Empire Strikes Back left off and immediately puts Boba Fett through the wringer — in order to pay for repairs to Han Solo ’ s defective carbonite chamber, he must eliminate the local supporter of the fighting pits who has been costing his trustworthy repairman a batch of credits. It ’ s not the most innovative narrative device, but it allows Soule, McNiven, and Martin to remind the reviewer precisely how amazing Boba Fett is while giving an easy ( and credible ) reason for why Boba would ’ ve been distracted enough to let Han slip through his grip. This brings us to the main serial, War of the Bounty Hunters # 1-5 written by Soule with art by Luke Ross and colors by Neeraj Menon and Guru-eFX. The artwork, on one hand, remains incredible. Ross ’ south easy style contrasts with the sharp lines and edges of McNiven but is however perfect for a Star Wars report focused on the more glitzy and glamorous elements of the underworld. Ross manages to capture the neon-soaked elegance of Courascant and the gold-crimson halls of the Vermillion in a way that is rich in detail but never distracting. His character models faithfully personify iconic heroes while hush retaining a sanely unique feel. Menon and Guru-eFX ’ south colors complement Ross ’ sulfur vogue wonderfully, using an about pastel pallette that allows for the colorful cityscapes and fortress interiors to pop without drowning the reader in color. unfortunately, everything else about this series unravels from here.

thankfully, this narrative is pretty to look at, because it is a narrative disappointment. For starters, this whole event takes put over a mere couple of hours in real-time. I thought this, in particular, wouldn ’ triiodothyronine be a trouble if the series was read in one baby-sit, but boy was I mistaken. The floor somehow feels even shorter when read all at once and left me asking “ why wasn ’ metric ton this just a one-shot alternatively of a major five-issue event with dozens of crossing over issues ? ” While there are plenty of fantastic stories in other mediums that take position in real-time, such an approach rarely works in comics — and this series is no exception. In this format, The rocket-fast-paced and about “ bottle-episode ” dash eradicates any smell of tension or exhilaration and merely feels like a entail of launching the reader to the end of the koran so it can set up future stories. The series besides lacks any kind of stakes or mystery. We already know that Boba Fett successfully delivers Han Solo to Jabba the Hutt, so the narrative must establish its own stakes or intrigue to keep the lector hooked. calm, the series fails here. The one major uncover, the only hope for an lend smell of mystery, is rushed through so promptly that it fails to add any new sense of risk or risk to the narrative. The big uncover, of course, is that Crimson Dawn is back and is led by Han Solo ’ s former sexual love Q ’ individual retirement account ( who ’ s not been seen in any way, shape, or form since Solo: A Star Wars Story ). Don ’ triiodothyronine get me wrong — this is a radian uncover. I ’ ve been wanting more stories about Q ’ irish republican army and Crimson Dawn as a whole since the credits rolled on Solo, and I am indeed excited to know that Soule distinctly has adult plans for Crimson Dawn moving forward. The trouble, though, is this is all revealed by the end of the first exit, removing any feel of suspense surrounding who took Han and what they might be after.

actually, Q ’ irish republican army ’ s design is pretty obvious throughout and is disappointingly simple — Crimson Dawn is going to steal Han Solo as a mean of announcing that they ’ re back and however potent. That ’ s actually it. I kept waiting for a major growth that might shed unhorse on Q ’ irish republican army ’ sulfur victor plan, but, aside from a blink-and-you ’ ll-miss-it gore with what seems to be a Sith artifact, nothing always materializes. The whole degree of Q ’ individual retirement account ’ s plan — and very this event as a whole — is to fair announce the refund of Crimson Dawn. a excite as that is for the future of Star Wars, it ends up making for a disappoint and dull “ event. ”

This trade wind paperback might actually be the most crying victim of the eventization of comics that I ’ ve ever experienced. There are multiple minor storylines from other books jammed into this series because of the series ’ event status. As person who reads all the Star Wars comics, I wasn ’ thyroxine confused by these references but found them so annoying — Doctor Aphra randomly referencing artifacts despite no mention of her plans beforehand, Beilert Valance showing up out of the blue to save his “ acquaintance ” Han Solo, and even Leia, Lando, and Chewie mounting their own Han Solo rescue felt like undiscovered plot threads at best, unnecessary tangents at worst.

That ’ s not to say these plots aren ’ thymine enjoyable within each series — they are actually more enjoyable than the main event. But this ceaseless character of early plotlines or inclusion of characters from early series leaves the ledger feeling wholly overstuffed and frantic. Rather than just focus on Boba Fett working to get Han Solo back from Crimson Dawn, the serial feels more like an excuse to use Boba Fett as a vehicle to do a major crossing event in which he sporadically interacts with plotlines from other series over the course of a few hours. possibly the most crying and incredible consequence of this series, though, is when Q ’ individual retirement account goes toe-to-toe with Darth Vader. I try truly hard not to be that person who argues about the legitimacy of a battle between two fabricated characters in a talk through one’s hat universe filled with space wizards and bipedal talking monkey-dogs, but this fight was simply excessively far.

Q ’ wrath loses to Darth Vader, but it is neither contiguous nor peculiarly devastate, and that is just unintelligent. Darth Vader is the most reverence man in the galax who rode a void monster to the planet Exegol and wiped out an entire battalion of Rebels on Vrogas Vas ( among many, many other things ). Q ’ individual retirement account has trained in Teras Kasi and that ’ s enough to stand a chance against Darth Vader ? This completely undermines the power Vader has displayed in literally every early medium and floor ( many of which Charles Soule wrote, even ) and is the most pathetic thing I have ever read in a Star Wars comedian. star Wars : War of the Bounty Hunters is a massive disappointment that such a beautifully drawn bible can be so narratively barren of exhilaration or scheme. War of the Bounty Hunters may set the stage for some capital Star Wars stories by unveiling the hark back of Crimson Dawn, but this series is so far another example of the bloat “ event ” format at Marvel Comics — overhyped, overstuffed, and ultimately little more than a introduction orient for better stories in the future .Star Wars: War of the Bounty Hunters Is ‘ Star Wars : War of the Bounty Hunters ’ well as a bingeable trade wind paperback ? headliner Wars : War of the Bounty Hunters

Despite systematically bang-up art, War of the Bounty Hunters is a disappointing event that merely sets up good stories than telling a dear report of its own. subscriber Rating

0 Votes

0 War of the Bounty Hunters : Alpha # 1 is a enormous exit that kicks the series off with a knock. The art is systematically fantastic, from McNiven and Martin ‘s work on Alpha # 1 to Ross, Menon, and Guru-eFX ‘s work on the main series. The reelect of Q’ira and Crimson Dawn sets the stage for a new dawn ( get it ) of Star Wars amusing books. The fib takes invest over precisely a couple hours in real number clock and is presented at a breakneck pace with little prison term to establish stakes, mystery, or any substantial intrigue. The Crimson Dawn and Q’ira reveal happens way excessively flying, at the end of issue # 1, removing any probability to build up mystery or tension. Far besides much prison term is devoted to referencing the subplots from the dozens of link issues from other series like Doctor Aphra, Bounty Hunters, or Darth Vader. Q’ira taking on Vader and surviving, let alone holding her own, is absurd and requires an impossible abeyance of impression. This feels less like a meaningful history and more like a shameless, distinctive comedian record event — something that does n’t happen frequently with Star Wars comics. 5.5 median Buy now Comixology/Amazon Become a patron today to get single perks, like access to our exclusive Discord community and our monthly comic book club, ad-free browse on, a physical trade paperback book sent to your house every calendar month, and more !

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