Voice actor (Japanese)
Voice actor (Disney)
No-Face ( 顔無し, Kaonashi, lighted. “Faceless” ) is a character in the film, Spirited Away. He is shown to be adequate to of reacting to emotions and ingesting early individuals in order to gain their personality and physical traits .
When first introduced, No-Face appeared in a semi-transparent state while shifting in and out of visibility. His organs are visible, pulsating in several states. His design resembles that of a long, black tube. While it is nameless if No-Face has a physical body, it is shown that he can develop arms and legs with the capability of leaving footprints as he walks. An ill, deadpan mask with grey-violet highlights is painted on his “ question ” of sorts, and while there is a “ talk ” painted on the masquerade, No-Face has shown that his veridical, expertly-hidden talk is larger than the one award on his mask .
No-Face is a lone spirit who begins to follow Chihiro Ogino after having developed an matter to in her sincerity. His vocabulary consisted of grunts and moans as opposed to coherent words. not knowing much about the Bathhouse or about early spirits in general, No-Face learned by exercise and adapted to his surroundings. Exposed to the corruptive thoughts and greed of the workers, he cursorily grew to encompass their personalities, hoping that his attempt to be like those around Chihiro would finally garner her affection for him. While this ultimately brought upon the reverse consequence, Chihiro was reasonably true to No-Face after she invited him and accepted avail from him. No-Face becomes obsessed with Chihiro, and wants to see her and her entirely. He becomes extremely explosive after being fed the River Spirit ‘s emetic dumpling by Chihiro, and, while fleeing from the obviously now-hostile spirit, she calls out to him twice to follow her. She accepts him as a co-journeyer into the trail ride on her way to Swamp Bottom after he calms down and is out of the Bathhouse. At this stage, No-Face is no longer aggressive and is quite docile, even obeying Chihiro ‘s orders, like “ sit ” and “ behave yourself. ” As a monstrous, out-of-control being, No-Face exhibits all the negative traits of those he had swallowed ( most significantly, Aogaeru ), becoming a brash, arrogant, loudly and selfish creature whose compulsion with Chihiro proved troubling for everyone around it. Towards the end of the film, No-Face meets with Zeniba, another hex who works alone, in line to Yubaba, who runs her bathhouse with a building complex hierarchy. possibly attempting to match the rules of the new bantam club, No-Face starts spinning and knitting and appears technical in that. happy with his new environment, he accepts Zeniba ‘s proposal to stay with her as an apprentice .
No-Face was first introduced stand on the bridge watching a race Chihiro and Haku, who were, at the time, trying to avoid any spirits from persecuting her for being a human. He subsequently disappeared and reappeared again on the bridge the good morning after, watching a casual Chihiro with captivation. No-Face reappears after he is let into the Bathhouse by a considerate Chihiro, who worried that he would get moisture while waiting out in the rain. He emerges again following to the Foreman, stealing a Bath Token for Chihiro. happy that she thanked him, No-Face subsequently steals more tokens, but is ultimately rejected by Chihiro, who told him that she entirely needed one. Disheartened, No-Face disappears, leaving the tokens to fall to the floor .
While the rest of the workers celebrated after the leave of the Unnamed River Spirit, No-Face was seen sitting in a corner, watching as the workers fought and argued for leftover gold on the ground. Learning that aureate was significant, No-Face baited an unsuspecting Aogaeru to come closer to him when the latter was digging for gold in the middle of the night, swallowing the frog spirit and gaining his corruptive properties soon after. With the veto qualities in Aogaeru reflecting in him, No-Face demanded a deluxe bath from the workers, throwing magically conjured gold to the workers in the process and becoming larger by ingesting large amounts of food.
With his assumed large measure of wealth No-Face became a sensation with the workers who constantly begged for tips from him. After witnessing Chihiro reject his put up of gold, No-Face dropped the amber onto the establish in despair, forcing avid workers to fight for a piece. Angered in assuming that a worker insulted him, No-Face consumes two other people, as his true nature is revealed to the dismay workers. No-Face then throws a fit in a node room, demanding to see Chihiro. With his offer of gold nuggets rejected a one-third time, No-Face expresses sadness when Chihiro mentions that he could not give her “ what she truly wants ”. After being fed the last of Chihiro ‘s emetic dumpling from the nameless river spirit, No-Face chases Chihiro through the lower levels of the bathhouse while regurgitating everything he has eaten. He returns to his faint self and follows Chihiro to a train platform where they travel to Zeniba ‘s home at Swamp Bottom to return a steal sigil. As Chihiro leaves, No-Face is told by Zeniba to stay with her. He is last seen with Zeniba and her Hopping Lantern bid Chihiro farewell as she flies off on Haku ‘s back .
Mimicry : Whenever he eats a creature, he uses its voice and abilities. For model, after eating Aogaeru, he speaks with Aogaeru ‘s part and he starts to jump like a frog. He besides takes on Aogaeru ‘s personality. [ 1 ] If he eats more creatures, he will speak with different voices simultaneously. Because of this ability, his gender is ill-defined. Alchemy : He can transform mud and dirt into objects like gold. Absorbing : He can eat anything, whether it ‘s food or spirits. This may be an extension of his apery ability .
Behind The Scenes
No-Face is an original character created by Hayao Miyazaki that previously did n’t exist in japanese mythology. [ 2 ] In a July 2001 press conference held upon completion of the movie at Imperial Hotel, Miyazaki explained No-Face ‘s presence, “ When I ‘m not round, the manufacturer ‘s obviously been telling everyone, “ No-Face is Miya-san ‘s alter-ego. ” so far even without getting intellectual about it, I think there ‘s probably a snatch of No-Face in all of us. ” [ 3 ] He former elaborated, “ There are No-Faces all around us. Because there ‘s lone a paper-thin deviation between evil spirits and gods. And on peak of that, this film is set in Aburaya, a bathhouse. therefore once you open the doors, all sorts of things come in. ” however, when asked if No-Face represented the youth today, he explained, “ I did n’t make this film with that in beware. No-Face is precisely a list and a mask, and other than that we do n’t in truth know what he ‘s thinking or what he wants to do. We fair named him No-Face because his saying never changes ; that ‘s all. But I do think there are people like him everywhere, people who want to glom on to person but have no feel of self. ” [ 4 ]
His physical appearance is taken from Bombyx mori, a silkworm. Character architect Masashi Ando elaborated, “ No-Face is basically deadpan, but I ended up adding just a bantam bite of saying. It might have been better to make his mask more Noh-like without any construction at all, conveying his expressions by lighting. No-Face swallows the bath house workers, and I thought it might have been interesting if he acquired their personalities and ability to reason. This manner he might become more human and appealing. ” [ 5 ]
- The Art of Spirited Away, page 109
- Ueka Nobukazu, erectile dysfunction. “ Sen to Chihiro no kamikakushi ” o yomu 40 no me, Tokyo : Kinema jumpou-sha, 2001, page 106
- “ The World of Spirited Away, and the Power of Fantasy ”, Eureka, Published by Seidosha, August 25, 2001
- Spirited Away Roman Album, Tokuma Shoten, September 10, 2001
- The Art of Spirited Away, Studio Ghibli Library