The inauguration issue opens with an unknown middle-aged driver speeding down a track. A group of similar rush cars flank him on either english, finally leading to an unexpected crash. The driver, narrowly escaping death, is revealed to be an older Wayne who ’ s distinctly craving any form of agitation in his now “ normal ” life .
The narrative proceeds to reintroduce readers to Gotham, a city in the midst of Cold War panic and an ever-increasing crime rate. Unsurprisingly, the newsworthiness reports are full of despair. But one piece of news program takes function by surprise : it is the tenth anniversary since the last sighting of “ the Batman. ”
Wayne spends an flush with Jim Gordon who attempts to relive the “ old days ” to no avail. The Commissioner tries to cheer him up, going to far as to recommend he “ find a woman. ” But Wayne knows his melancholic feelings stem not from loneliness, but a deep hunger for the war he ended years ago .
This exit sits both in Wayne ’ s future and his past. Miller ’ s script portrays a man who is stuck in the aftermath of his war on crime, wishing he could fill his passion once more. Wayne ’ s inner monologue is a jumble bulk of regrets, fears, and hopes, much like those within ourselves. miraculously, we are able to find a commonality with this epic figure .
Readers soon find that the newest threat to plague Gotham may be enough to bring the erstwhile superhero out of retirement. And when Two-Face and the Joker plan to reintegrate into society, the Dark Knight finds the stakes to be higher than always.
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Miller ’ s pencils add to the cohesiveness of the comedian ’ randomness illustrations. Backed by Janson ’ mho ink work, the art embodies a unique style that was rare in Batman comics before this consequence ’ mho handout. The characters are often depicted with a ease that conveys complex emotions. In summation, Lynn Varley ’ s coloring does a fantastic caper of placing the readers ’ focus on the military action by using bright colors for the active characters in each view .
american samoa beautiful as the illustrations are in this book, Costanza ’ s letter is what adds the most intrigue. The fonts are interspersed all around the illustrations and panels, but take nothing away from the action. On the reverse, they enhance it. These frame the scenes when needed and seem to join in the scenes as independent acting agents .
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The amusing overlay, illustrated by Miller, shows the Dark Knight leaping into action with a flare of lighting. This readies readers for the action sure to come .
batman : THE DARK KNIGHT RETURNS # 1 launched a new era of comics and is referenced by creators as the standard for many colored stories. We highly recommend picking this up and experiencing the Dark Knight ’ s reawakening .
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