Thirty years ago, a company of adventurers slayed the last God and saved the down. But nowadays, something is stirring. And it seems that what happened thirty years ago might not be the whole narrative after all …
Wow. I had no mind what to expect from this when I picked it up, but I ‘m very glad I did. It ‘s going to draw inevitable Lord Of The Rings comparisons, but it ‘s a lot more focused on the hale idea of the adventurers making the journey in concert than merely two little Hobbits while everyone else
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Thirty years ago, a company of adventurers slayed the last God and saved the land. But now, something is stirring. And it seems that what happened thirty years ago might not be the solid narrative after all …
Wow. I had no estimate what to expect from this when I picked it up, but I ‘m identical gladiolus I did. It ‘s going to draw inevitable Lord Of The Rings comparisons, but it ‘s a lot more focus on the wholly estimate of the adventurers making the travel in concert than just two short Hobbits while everyone else wanders off and fights a war.
The dual timelines running concurrently works actually well, with both the stream day party and the thirty years ago one arrive in the same places at the like time so we get to see everything play out together, and it very helps highlight the differences and similarities between the two groups.
The world-building is exceptionally good and well thought out ; yes, it ‘s got your usual humans/dwarves/elves ( even if they ‘ve got different names ), but the world feels rich people and real – I ‘ve only ever read one other series that had its own Sourcebook that allowed you to play a Dungeons & Dragons-esque game within it, and between that and the supplementary prose material that ‘s contained with every issue, it ‘s clear that Phillip Kennedy Johnson has crafted his worldly concern with love, care, and intense thought.
Of class, none of this would work without Riccardo Federici ‘s artwork. even with four or five colourists at a time, he turns out twelve beautiful issues that put both the “ fantasy ” and “ epic ” into fantasy epic poem. His work is evocative of Esad Ribic, with the lapp celestial color pallette, and it carries much the like dignity as a leave. flush when things get feverish, with tentacles and magic trick spells flying all over, it never loses concenter. A lesser artist would n’t have been able to render this series in anywhere near american samoa a lot detail, and it would have been worse for it.
The concluding God is possibly the best illusion amusing I ‘ve read in a very long time. competently crafted by writer and artist alike, it ‘s a wonder to look at, a gladden to read, and highly recommended to anyone who loves a bit of sword and sorcery.
besides, as an afterthought, the hardbacked collection is beautifully created arsenic well – the debris jacket literally unfolds into a map of the earth, something I ‘ve never seen ahead.