The Nice House on the Lake Finds the Sinister Within the Safe

From the first emergence of James Tynion IV and Álvaro Martínez Bueno ’ s The Nice House on the Lake, it was clear we were in for something tortuous. now that the series ’ first graphic fresh solicitation, containing the initial six issues, is out, it ’ s confirm. Almost nothing about this entire situation is what or who it seems to be, and the questions keep piling up.

At its onset, Nice House presented a companion trope : a group of adults, ranging from their mid-20s to mid-30s, trapped on a cryptic, baleful vacation. Their connection is their host, Walter, a man they all know in assorted ways.

Some met him in high school, others college, silent others through mutuals in New York City. Some guests are alone, while others have a significant early in tow. Some have kept in touch over the years ; others have rarely interacted at all .
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In this kind of report, the friends and strangers normally find themselves in danger when they venture to a outback pickup. But in Nice House, it ’ s the face-to-face.

The lake house is the entirely plaza on earth, american samoa far as anyone can tell, that ’ s safe. The rest has been destroyed. The last signals from friends and family indicate a whirlpool of fire and destruction swept away everything they knew and loved that international relations and security network ’ deoxythymidine monophosphate at the house.

And Walter ? Awkward, feel for, introspective, good-listener Walter ? He ’ s an extraterrestrial being, or something else that ’ s very non-human. When he shifts into his truthful shape, he looks like what one of the guests calls a “ human body tornado. ” Bueno ’ south art style is about impressionistic here—there ’ s an idea of a world, but his features swirl around the glare of his glasses and the homo clothes he ’ second crammed himself into. It ’ sulfur unclear how his physical form even works, except it can hurt you if you touch it .
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Walter ’ s mate aliens, who presumably besides look like flesh tornadoes, are behind the apocalypse beyond the lake house ’ mho inconspicuous barriers. In this way, Walter is both their villain and their savior. He ’ mho lied to them for angstrom long as he ’ second known them, but through knowing them, became compelled to ensure their survival.

He ’ mho besides their jailkeeper. Though the house has everything they require for survival and comfort, they ’ rhenium stick there. tied if they could escape the place ’ randomness invisible border, there is nowhere to go.

It ’ s those modern comforts that, in character, make this history more than a contract on Lord of the Flies or Yellowjackets. Walter ’ randomness friends have rightfully everything they could ever need or want, with the exception of those they left behind. This international relations and security network ’ triiodothyronine about how to survive ; there will be no contemplating cannibalism hera.

With needs met, the survivors must grapple with what it means to live in paradise if you can never leave. Is that living at all ? Wouldn ’ t boredom finally take over ?
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Luckily—for them and us—there ’ south more to do than laze about. For reasons we don ’ thymine so far understand, the house that Walter ’ s locked them in besides seems to be a huge escape room that will take all of them to solve. The house and its anchor are not just full of secrets and surprises, but these mysteries are tailored to each guest .
Walter initially addressed his friends ’ invitations to their professions : The Artist, The Doctor, The Scientist. In fact, making an index of the characters like you probably did with Game of Thrones—or possibly Clue is more appropriate—is decidedly helpful to avoid getting lost.

Each of them soon discovers a function that only suits them, whether they recognize that or not. For exemplar, it ’ s The comedian who, naturally, figures out ways to bring levity to the house. The Reporter immediately sets out exploring and documenting the grounds and discovers that diverse objects have extra properties. It ’ s not precisely about what they did for a support, but besides who they are. One guest finds the key to a privy door tucked behind a stack of books only they would be enticed to pick up.

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so far, the more they research, the more confusing it gets. Are they truly alone out there ? Is there still a way to save humanness ? Is Walter good, evil, or both ? And, most importantly, why did Walter ’ randomness people kill everyone but them ?

Every answer springs even more questions, wrapping what could have been a simple horror survival story in layers of intrigue and an encroaching awful. It ’ sulfur riveting stuff that asks a truly faze question. When an outside military unit about eliminates the homo race, can who ’ second left be depended on to save humanity…or plainly finish the job for them ?

The Nice House on the Lake Vol. 1 by James Tynion IV, Álvaro Martínez Bueno and Jordie Bellaire  is now available in bookstores, comic shops, libraries and as a digital graphic novel. You can also get started on the series right now on DC UNIVERSE INFINITE.

Juliet Bennett Rylah writes about horror comics and the blue side of superheroes for DCComics.com. For more from Juliet, read her have on another of Tynion ‘s holocene collections, The Joker, and follow her on chirrup at @ JBRylah.  
NOTE: The views and opinions expressed in this feature are solely those of Juliet Bennett Rylah and do not necessarily reflect those of DC Entertainment or Warner Bros.

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