The best Wonder Woman stories of all time

DC continued its month-long celebration of eight decades of Wonder Woman with the October 5 secrete of the Wonder Woman 80th Anniversary 100-Page Super Spectacular ( opens in newfangled check ). Like DC ‘s previous 80th anniversary the special features multiple new stories by all-star creative teams celebrating different eras in Wonder Woman ‘s storied history. So we ‘re going to follow befit with a flimsy tailspin and look at some classical stories starring Diana of ​​Themyscira by all-star creative teams ( including a healthy parcel of George Perez ) in our look at the best Wonder Woman stories of all time.

10. ‘For a Thousand Years,’ Action Comics #761 (2000)

missing image ( visualize credit : district of columbia ) I know, I know. Action Comics # 761 ( collected in Superman : The City of Tomorrow Vol. 1 ( opens in new check ) ) is n’t a Wonder Woman report per southeast, but if having her and Superman team up with Thor to defend Asgard from a demon invasion does n’t get your lineage pump, I ‘m worry for you. While the military action and put are great, the history by Joe Kelly is in truth about friendship and how Superman and Wonder Woman coexist as platonic friends for ( wait for it … ) one thousand years out of deference to his kinship with Lois Lane. While Lois does fall prey to a little bit of jealousy, Diana never does – despite living with Clark in Asgard for a millennium. Sealing the manage, artist german Garcia delivers an epic sense of scale despite the much more intimate focus of the story. Buy: Amazon ( opens in new tab )

9. JLA: A League of One (2002)

( visualize credit : direct current ) Superhero teams can be very fun when writers know how to balance them. But all excessively frequently, one or two characters get the short end of the stick. That ‘s surely been true of Wonder Woman at different times in her Justice League tenure, but Christopher Moeller ‘s JLA : A League of One ( opens in new yellow journalism ) one-shot try to remedy that a little bit. A prophecy proclaims that the Justice League will fall at the claw of an ancient dragon. To save the League, Diana decides that merely one member of the team should be around to face the terror : Wonder Woman herself. Moeller plays with themes about forfeit and duty while rendering the military action with the kind of fantasy-styled art that made him sol democratic with the Magic : The Gathering fit. Diana ‘s altruism is a key to her character and Moeller pushes it to the vanguard in this history. Buy: Amazon ( opens in newly tab key )

8. Wonder Woman: Hiketeia (2003)

( image citation : direct current ) due to her world power set, Wonder Woman has constantly been seen as more of an equal to Superman than other DC characters. But Greg Rucka and J.G. Jones ‘s exploration of her kinship to Batman in Wonder Woman : Hiketeia ( opens in new pill ) proves to be equitable as, if not more, compel. The Hiketeia refers to a sacred ritual of supplication and protection. A young female child named Danielle becomes Wonder Woman ‘s ward after escaping sex traffickers – killing them in self-defense during the escape. Of course, that runs counter to Batman ‘s doctrine about justice, setting him on a doss naturally with Diana. This report is a big rumination on the intersection of ethical motive and justice, a must-read for fans of any of Rucka ‘s exploit. Buy: Amazon ( opens in new tab key )

7. ‘Challenge of the Gods,’ Wonder Woman (1987) #8-14

( image credit : direct current ) not content to simply redefine Wonder Woman ‘s origins, George Perez used the second bow of his run with co-writer Len Wein ( collected in Wonder Woman By George Perez Vol. 1 ( opens in new tab key ) ) to expand Diana ‘s populace. even dealing with the patriarchy, she had to contend with newfound fame and the presentation of one of the longest-lasting iterations of her nemesis the Cheetah. Cheetah ‘s crave for baron ran identical counter to Diana ‘s beliefs, providing the foundation for a great foil and a formidable foe for Wonder Woman. A keystone to the greatness of Perez ‘s run was divorcing Diana ‘s history from the Justice League and letting her stand on her own. She did n’t begin her history as a character defined by the men around her, and Perez, along with editors Janice Race and Karen Berger, were determined to make that the casing again. Perez and Wein dove into the origins of Wonder Woman ‘s costume, her competition with her boyfriend Amazons, and just what happens when you turn down the advances of the king of the greek gods, Zeus himself – setting a decades-long precedent for Wonder Woman ‘s relationship with the gods of Olympus. Buy: Amazon ( opens in new pill )

6. ‘The Twelve Labors,’ Wonder Woman (1942) #212-222

( image credit : district of columbia ) At the end of the ’60s and into the ’70s, Wonder Woman became a fashionable descry thriller in the vein of James Bond or the Avengers ( not the ones you ‘re thinking, the other Avengers ). But at the behest of another feminist icon, Gloria Steinem, DC decided to return Wonder Woman to her heroic verse roots and traditional costume.

In the fib bow collected as Wonder Woman : The Twelve Labors ( opens in modern check ), a depowered Diana had to complete twelve tasks to prove herself and be readmitted into the Justice League ( a lanthanum the fabulous twelve labors of Hercules ). To sell the newfangled accept, DC rolled out a murderer ‘s row of Bronze Age endowment including Curt Swan, Martin Pasko, and Len Wein ( who would late team up with George Perez for another boot of the quality ). A department of state of changeless blend would come to define Diana for much of the ’70s as rotating creative teams and editorial edicts that wanted to move the book close in synchronize to the television receiver read were the norm. But ‘The Twelve Labors ‘ stands as one of the most consistent stories during that menstruation, re-establishing Wonder Woman ‘s position among her boyfriend superheroes. Buy: Amazon ( opens in newfangled pill )

5. ‘Paradise Lost,’ Wonder Woman (1987) #164-#170

( picture credit : direct current ) After George Perez, Phil Jimenez might be the most definitive artist in Wonder Woman ‘s history, thanks to his eye for design and plot. ( Though recent artists such as Nicola Scott and Bilquis Evely have made big impacts as well ). Co-written with J.M. Dematteis, Joe Kelly, and George Perez himself, Jimenez ‘s ‘Paradise Lost ‘ collection ( opens in new tab ) is a great balance of big and belittled moments for Wonder Woman. The ‘Gods of Gotham ‘ storyline sees her take on Batman ‘s regular rogues who have been powered up by the pantheon of gods. And if that ‘s not enough she has an Amazon civil war to contend with when she gets back to Themyscira in the following two issues. But the stopping point of this solicitation is the actual draw. # 170 features a one-off story called ‘She ‘s a Wonder ‘ that takes a search at the kinship between Diana and Lois Lane. Lois learns what it means to be Wonder Woman in an topic that is both dear and vulnerable. Buy: Amazon ( opens in newfangled check )

4. ‘The Circle,’ Wonder Woman (2005) #14-17

( image credit : direct current ) In the aftermath of Infinite Crisis, DC was looking to bring Wonder Woman back to her roots and called upon Gail Simone to do the deed. consequently, Simone ‘s foremost arch ‘The Circle ‘ ( opens in newfangled pill ) featured yet another refocusing of Diana ‘s origins to fit the current country of the DCU. thankfully, Simone stuck the landing, giving Diana a new job as an agent for the Department of Metahuman Affairs, a new love interest in fellow agent Tom Tresser, and a slightly redefined relationship with her beget and birthplace. Simone brings the humor and compassion she ‘s known for to Wonder Woman, balancing the more golden Age elements of the plot like talking gorillas and Nazi punching with the essential traits of the modern Diana. Buy: Amazon ( opens in new pill )

3. ‘Eyes of the Gorgon,’ Wonder Woman (1987) #206-213

( effigy credit : direct current ) Greg Rucka earned his reputation as one of Wonder Woman ‘s most heralded writers by dialing in on the values and concepts that define Diana at her core. Problem-solving and critical think has constantly been her hallmarks – and Rucka puts those traits into lineal focus in ‘Eyes of the Gorgon ‘ ( opens in new pill ) by establishing Wonder Woman in the role of Themyscira ‘s political ambassador to the United States. Of course, that besides sets up a prime opportunity for her rogues ‘ gallery to make their go, unleashing the mighty Medusa to go toe-to-toe with Wonder Woman. Rucka ‘s overhaul take on the pantheon of gods is fun, but it ‘s the sacrifice that Diana is forced to makes this narrative one for the ages. Buy: Amazon ( opens in newly tab )

2. ‘Gods & Mortals,’ Wonder Woman (1987) #1-7

( double credit : direct current ) Post-Crisis on Infinite Earths, DC had a batch of room to reinvent its characters and drill them down to the most basic concepts. But with Wonder Woman ‘s constant reinventions over the years, that undertaking was daunting. Enter George Perez ( his name has come up a few times on this list ). While the writer/artist only meant to stay on the bible to get things started before leaving her to other creators, he alternatively became enchant with Diana and ‘Gods and Mortals ‘ ( opens in fresh check ) kicked off a now-legendary 60-issue run. ‘Gods and Mortals ‘ refocused the origins of Diana, the Amazons, Themyscira, and their joining to the gods. It featured a confrontation with Ares and Diana ‘s first foray into the world of men. This floor laid the foundation for basically everything that has come since – a modern subscribe on her classic origins that has largely endured for decades. And did we mention Perez ‘s excellent artwork ? Sufferin ‘ sappho ! In 1987, the man was a impel to be reckoned with and these pages prove why his bequest with DC ‘s warrior princess lasts to this day. Buy: Amazon ( opens in new tab key )

1. ‘Battle for Womanhood,’ Wonder Woman (1942) #5

( double credit : DLC ) In a 1943 issue of The American Scholar, William Moulton Marston wrote, “ not evening girls want to be girls sol long as our feminine original lacks force, military capability, and baron … The obvious remedy is to create a feminine character with all the strength of Superman plus all the tempt of a thoroughly and beautiful charwoman. ” Wonder Woman is impossible to separate from the life and ideas of her creators Marston and his two partners, Elizabeth Holloway Marston and Olive Byrne. Marston was a psychologist and the inventor of the systolic blood blackmail test that would lead to the polygraph – deoxyadenosine monophosphate well as an unapologetic feminist who believed in female transcendence and subtly coded Wonder Woman as one of the first gay characters in comic book history, a trait that has become openly canon in modern times. He besides excellently secondhand bondage as a metaphor in Wonder Woman for men ‘s oppression of women. Marston wanted to create a character who won each sidereal day with love rather than pure lastingness and in Diana Prince, he was able to do that.

Collected in Wonder Woman ; The Golden Age Vol. 1 ( opens in new pill ), ‘Battle for Womanhood ‘ is precisely one exercise of William sticking to that convention through and through. With Doctor Psycho menacing american women and threatening to return them to the days of “ clanking chains and abject enslavement, ” Wonder Woman uses not precisely her might to foil his diagram and rescue Steve Trevor, but her brain and the lastingness of her friends … and possibly a kangaroo that could jump into distance. ( Hey, the Golden Age can be a short cockamamie specially when HG Peters is handling the art. ) But Marston was keen to never lose the plot as Wonder Woman declares in the final panel “ earth girls can stop men ‘s exponent for evil when they refuse to be dominated by evil men ! ” Buy: Amazon ( opens in fresh yellow journalism )

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