Why ‘Y: The Last Man’ Was Abruptly Canceled

It took 14 years to bring Brian K. Vaughan ’ s beloved Y : The last valet to the filmdom. And now that the show is ultimately airing — after a major recast, a showrunner change and evening a move to a modern platform — FX on Hulu abruptly canceled the drama Sunday, after airing merely seven of its plan 10 episodes .
FX, the basic cable network oversee by CEO John Landgraf, rarely cancels its script message and rather tends to announce final seasons for its originals. It ’ randomness besides incredibly rare for the net, which became region of the Disney fold a few years ago, to lower the ax on shows that are still running as its creator-friendly white house choose alternatively to wait to gather data for things like delay screening and digital returns. But that queerly wasn ’ thymine what transpired with Y : The last Man, which won ’ triiodothyronine wrap its newcomer season until Nov. 1 .

thus, what happened ?
Sources tell The Hollywood Reporter that execs at FX had to make a decision on the future of the series by Oct. 15, which was the date that options on the cast of y : TLM expired. FX, which landed rights to the IP in 2015, picked the drama up to pilot in April 2018 and, three months former, cast Barry Keoghan and Diane Lane in leading roles. FX ordered Y to series in February 2019 .
production, however, failed to begin right away as FX in April 2019 parted ways with original showrunners Michael Green ( who was hired in late 2016 ) and Jessica Jones alum Aida Croal ( who joined during the fender ). Croal and Green cited creative differences as the reason for their deviation at the time. greens ’ mho pitch, Vaughan raved to THR in former 2017, explored toxic maleness. Eliza Clark ( Animal Kingdom, The Killing ) was tapped as showrunner in June 2019 as FX hoped to get the series back on track .

rather, further delays followed. Word came in February 2020 that Dunkirk breakout Keoghan — who was poised to star as last man on ground Yorick — was being recast. Ben Schnetzer ( Warcraft, Pride ) was tapped to lead the shed by the end of that lapp calendar month. Days former, the COVID-19 pandemic would create another, albeit unplanned, stay during which Y was moved from a linear launch on FX to its hub on Disney-owned Hulu as streaming took center stage across the diligence .
production on Y — including on the new pilot program — would not formally begin until recently October 2020, years after Lane and co-stars Amber Tamblyn and Marin Ireland in the first place signed on. other master stars from Green and Croal ’ second pilot, including Lashana Lynch and Imogen Poots, were recast, with the series enlisting Ashley Romans, Olivia Thirlby and Elliot Fletcher .

Because of the delays amid the showrunner and shed changes, FX had to extend options on master Y stars, including Lane. And, because of the pandemic-related output closure, besides pay to extend the options of Schnetzer and other new castmembers. Those shed extensions added up despite the fact that production came in under its $ 8.5 million-per-episode budget. Clark pitched a potential second season to FX white house in former September, after four of its 10 episodes had aired and well after reviews for the serial were published. ( Y presently has a 73 percentage rate among critics and 67 percentage score with viewers on Rotten Tomatoes. )
ultimately, FX brass section declined to pay $ 3 million to promote cover options, not wanting to leave the cast in limbo so far again. The cancellation decision was, per sources, not based on viewership figures ; Hulu, like other streamers, does not release traditional ratings data. That means FX had small to no data on which to evaluate the series, including how it performed in its entirety over a certain timeframe, etc. While sources note there had been a decrease among viewers, it ’ second worth pointing out that mid-series declines are not rare now that viewer behavior has shifted to binge-watching entire seasons of a prove .
“ Without COVID, the prove would have been on a unlike clock, ” notes one reference of the timing of the cancellation decision .
now the wonder becomes if producers, including Clark and Nina Jacobson ( Impeachment ) — both of whom are based at FX Productions with overall deals — can successfully find a fresh home for their series about gender identity. FX Productions owns the series outright and, per sources, is supportive of plans to shop the show, though the studio has never focused on being a content supplier for outside networks/platforms .
Sources say HBO Max is likely the target home for a electric potential second season as its bodied rear, WarnerMedia, besides owns DC Comics, whose imprint, Vertigo, published the y : TLM comedian series from 2002-08. WarnerMedia ’ s New Line previously owned the rights to Vaughan ’ s comic series and made two attempts at adapting it as a feature film. The foremost take, from David Goyer, Carl Ellsworth and director D.J. Caruso fell apart because the studio balked at the theme of adapting Y as a three-film franchise. The rights to Y reverted to Vaughan in 2014, frankincense killing the 2012 attempt at a movie .

Vaughan conceded in a September consultation with television ’ s Top 5 that his source material turned out to be “ challenging discipline matter ” and stressed the property could entirely work on television receiver .
Should a suitor for the series emerge, FX Productions would face the decision of selling library rights to season one a well as transferring possession of the series or becoming a third-party capacity supplier — something that under Disney is considered a long blast given Disney ’ s push button for vertical integration. ( FX declined gloss on the cancellation deoxyadenosine monophosphate good as for this fib. )
Clark, meanwhile, has high hopes for the display and told television receiver ’ s Top 5 that she envisioned Y as a five-season, 50-episode series. “ I have never in my life been more committed to a floor, and there is so much more left to tell, ” Clark wrote Sunday. “ y : The final Man is about gender, about how oppressive systems inform identity. We had a sex divers team of brainy artists, led by women at about every corner of our product. Producers, writers, directors, cinematographers, production design, costume design, stunt coordination, and more. It is the most collaborative, creatively fulfilling, and beautiful thing I have ever been a depart of. We don ’ triiodothyronine want it to end. ”

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